{"version":"1.0","provider_name":"Jennifer Wolfe","provider_url":"https:\/\/jwolfepr.com\/dev","author_name":"Jennifer Wolfe","author_url":"https:\/\/jwolfepr.com\/dev\/author\/jwolfe\/","title":"\u2018Spoils of Babylon\u2019: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine | Jennifer Wolfe","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WtdfqIg0pq\"><a href=\"https:\/\/jwolfepr.com\/dev\/spoils-of-babylon\/\">\u2018Spoils of Babylon\u2019: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/jwolfepr.com\/dev\/spoils-of-babylon\/embed\/#?secret=WtdfqIg0pq\" width=\"600\" height=\"338\" title=\"&#8220;\u2018Spoils of Babylon\u2019: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine&#8221; &#8212; Jennifer Wolfe\" data-secret=\"WtdfqIg0pq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/jwolfepr.com\/dev\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/jwolfepr.com\/dev\/wp-content\/uploads\/2014\/01\/2e1c5a65-b041-64dd-8f3f-1e2c69847e1b_105_SOB_Tobey-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1707,"description":"Cinematographer Giles Dunning collaborated closely with executive producer Matt Piedmont and production designer Mark Snelgrove to create distinct looks for IFC\u2018s miniseries parody, \"The Spoils of Babylon,\" that nonetheless remain firmly rooted in a 1970\u2019s aesthetic."}