{"id":168005,"date":"2023-02-21T18:23:00","date_gmt":"2023-02-21T18:23:00","guid":{"rendered":"https:\/\/jwolfepr.com\/dev\/?post_type=articles&#038;p=168005"},"modified":"2026-03-05T04:11:00","modified_gmt":"2026-03-05T04:11:00","slug":"the-future-of-production-amplified-bringing-finishing-to-the-cloud","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/the-future-of-production-amplified-bringing-finishing-to-the-cloud\/","title":{"rendered":"The Future of Production Amplified: Bringing Finishing to the Cloud"},"content":{"rendered":"\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-large\"><img 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https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/FoP_Katrina-King_FB-1280x720-1.png?w=1280&amp;ssl=1 1280w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">TL;DR<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Katrina King, global strategy leader for content production at Amazon Web Services, discusses the Color in the Cloud workflow and the problems it attempts to solve.<\/em><\/li>\n\n\n\n<li><em>King spearheaded the Color in the Cloud workflow, which aims to provide a truly end-to-end solution for film and television production in the cloud, and which received an HPA Engineering Excellence Award in 2022.<\/em><\/li>\n\n\n\n<li><em>King explains why ingesting assets to the cloud without the ability to finish is \u201cessentially a bridge to nowhere,\u201d and how advancements in faster image processing and low latency can help production teams achieve their creative goals.<\/em><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-alpha-channel-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/widget.spreaker.com\/player?episode_id=52807815&amp;theme=light&amp;playlist=false&amp;playlist-continuous=false&amp;chapters-image=false&amp;episode_image_position=right&amp;hide-logo=false&amp;hide-likes=true&amp;hide-comments=true&amp;hide-sharing=false&amp;hide-download=true\" width=\"100%\" height=\"200px\" frameborder=\"0\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">Remote cloud production has grown by leaps and bounds in recent years \u2014 partially driven by the COVID-19 pandemic \u2014 but workflows must include every step of the content production cycle for cloud production to truly reach maturity.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finishing, with its need for precisely calibrated monitors and other considerations, such as security, has presented a number of challenges to cloud-based workflows. But now Amazon Web Services has introduced it new cloud-based \u201cColor in the Cloud\u201d workflow, which aims to provide a truly end-to-end solution for film and television production in the cloud. As part of NAB Amplify\u2019s video series, \u201cThe Future of Production Amplified,\u201d NAB Amplify content partner Jennifer Wolfe chats with Katrina King, global strategy leader for content production at AWS, about the Color in the Cloud workflow and the problems it attempts to solve.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">King spearheaded the AWS Color in the Cloud workflow, which received an HPA Engineering Excellence Award in 2022. She is a motion picture technologist and production technology executive with more than 20 years of experience supervising production and technology for motion pictures, television and live events, and has authored nearly a dozen patents in film and TV production, interactive streaming and cloud-based post-production.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTo be able to color grade, you need a reference monitor, which is a high-fidelity monitor that allows you to see in the true pixel without any compression, artifacting or encoding. Traditionally these activities have been done in light-controlled rooms with a lot of very expensive equipment, very specific calibrated monitors, and workflows that allow for that true original pixel to be transmitted from the original camera files through to the final pixel,\u201d King explains.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cTraditionally, it\u2019s been virtually impossible to connect a reference monitor to a remote instance without heavily compressing the signal, which kind of defeats the purpose of doing it in the first place,\u201d she continues. \u201cSo what we set out to do was to develop a workflow that would allow us to be able to connect a reference monitor to a remote instance, which would unlock really high-fidelity color grading in the cloud.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">King says AWS is excited about scaling the workflow to other applications and workloads as well. \u201cNow that we have a viable method to decode the signal and transport the signal, really it\u2019s just a matter of a variety of different applications integrating the Cloud Digital Interface software development kit that would allow them to leverage the same workflow with the same hardware and the technology that\u2019s been developed,\u201d she notes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe\u2019d like to see the technology start to be moved and used in quality control, in VFX compositing, other color grading finishing applications. Really any workload that requires really high-fidelity reference monitoring, we\u2019d love to see adopt the Color in the Cloud workflow.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In Part 1 of our Q&amp;A, King explains why ingesting assets to the cloud without the ability to finish is \u201cessentially a bridge to nowhere.\u201d She also describes the primary challenges to finishing in the cloud, the main requirements for a viable cloud-based color and finishing solution, and how the Color in the Cloud workflow enables faster image processing, low latency, and even monitor calibration.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Watch Part 1 below:<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bringing Finishing to the Cloud \u2014 Part 1\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_OpBjmO0gP4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In Part 2, King talks about the biggest developments in cloud production she\u2019s observed in recent years, how advancements in faster image processing and low latency can help production teams achieve their creative goals, and what she sees for the future. She also discusses&nbsp;how&nbsp;Company 3 supported Amazon\u2019s new Lord of the Rings series, <em>The Rings of Power<\/em>, which was fully produced in the cloud.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Watch Part 2 below:<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Bringing Finishing to the Cloud \u2014 Part 2\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nKB9okplVro?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Connect with Katrina King on <\/em><a href=\"https:\/\/www.linkedin.com\/in\/digitalsorceress\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>LinkedIn<\/em><\/a><em>, or head over to the AWS blog to learn more about the <\/em><a href=\"https:\/\/aws.amazon.com\/blogs\/media\/color-in-the-cloud-motion-picture-and-television-color-grading-and-finishing-on-aws-with-baselight\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Color in the Cloud workflow<\/em><\/a><em>.<\/em><\/p>\n\n\n\n<div class=\"wp-block-group has-luminous-vivid-amber-color has-text-color\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-css-opacity has-luminous-vivid-amber-background-color has-background is-style-default\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-luminous-vivid-amber-background-color has-background\" id=\"navigating-the-metaverse\"><a href=\"https:\/\/amplify.nabshow.com\/?s=future%20of%20production%20amplified&amp;v=content\" target=\"_blank\" rel=\"noreferrer noopener\">DISCOVER THE FUTURE OF PRODUCTION AMPLIFIED:<\/a><\/h4>\n\n\n\n<h6 class=\"wp-block-heading has-black-color has-text-color has-medium-font-size\" id=\"the-metaverse-may-be-a-wild-frontier-but-here-at-nab-amplify-we-ve-got-you-covered-hand-selected-from-our-archives-here-are-some-of-the-essential-insights-you-ll-need-to-expand-your-knowledge-base-and-confidently-explore-the-new-horizons-ahead\"><em><em>Take a peek into The Future of Production Amplified with <\/em><\/em>NAB Amplify<em><em>\u2019s series featuring top creatives and other M&amp;E professionals helping to shape the future of film and television production. Gain insights into the latest trends in virtual production, cloud-based workflows, real-time graphics, live production, digital humans and other cutting-edge technologies as we chat with industry experts from AWS, Epic Games, Digital Domain, and more!<\/em><\/em><\/h6>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-orbital-studios-virtual-production\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of Production Amplified: How Real-Time Graphics Are Changing the Face of Film and Television Production<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-hanno-basse-digital-humans\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of Production Amplified: Bringing Digital Humans into the Spotlight<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-orbital-studios-virtual-production\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of Production Amplified: Pushing the Limits of Virtual Production<\/a><\/strong><\/li>\n\n\n\n<li><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/amplify.nabshow.com\/articles\/create-broadcast-quality-graphics\/\" target=\"_blank\">The Future of Production Amplified: Delivering Broadcast-Quality Graphics to Creators Everywhere<\/a><\/strong><\/li>\n\n\n\n<li><strong><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-etcusc-virtual-production-cloud-fathead\/\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of Production Amplified: ETC@USC Takes Virtual Production into the Cloud with \u201cFathead\u201d<\/a><\/strong><\/li>\n\n\n\n<li><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/amplify.nabshow.com\/articles\/create-open-source-taking-hollywood-by-storm\/\" target=\"_blank\">The Future of Production Amplified: How Open Source Is Taking Hollywood by Storm<\/a><\/strong><\/li>\n\n\n\n<li><a rel=\"noreferrer noopener\" href=\"https:\/\/amplify.nabshow.com\/articles\/create-future-of-production-movielabs\/\" target=\"_blank\"><strong>The Future of Production Amplified: Defining a New Production Ecosystem with MovieLabs<\/strong><\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-future-of-production-amplified-ron-ames\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>The Future of Production Amplified: Moving Middle Earth to the Cloud with \u201cThe Lord of the Rings: The Rings of Power\u201d<\/strong><\/a><\/li>\n\n\n\n<li><strong><a href=\"http:\/\/Videos in \u201cThe Future of Production Amplified\u201d Series:\" target=\"_blank\" rel=\"noreferrer noopener\">The Future of Production Amplified: How ETC@USC is Helping Hollywood Embrace Generative AI<\/a><\/strong><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-css-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Katrina King, global strategy leader for content production at AWS, on the impact of cloud production on the future of film &#038; TV production.<\/p>\n","protected":false},"author":2,"featured_media":168006,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"categories":[248],"class_list":["post-168005","articles","type-articles","status-publish","has-post-thumbnail","hentry","category-amplify"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Future of Production Amplified: Bringing Finishing to the Cloud | Jennifer Wolfe<\/title>\n<meta name=\"description\" content=\"Katrina King, global strategy leader for content production at AWS, on the impact of cloud production on the future of film &amp; TV production.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Future of Production Amplified: Bringing Finishing to the Cloud | Jennifer Wolfe\" \/>\n<meta property=\"og:description\" content=\"Katrina King, global strategy leader for content production at AWS, on the impact of cloud production on the future of film &amp; 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