{"id":18886,"date":"2020-12-20T09:05:00","date_gmt":"2020-12-20T09:05:00","guid":{"rendered":"https:\/\/amplify.nabshow.com\/?post_type=articles&#038;p=18886"},"modified":"2024-09-07T21:49:30","modified_gmt":"2024-09-07T21:49:30","slug":"post-in-a-pandemic-how-the-team-from-what-we-do-in-the-shadows-evolved-sonycine","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/post-in-a-pandemic-how-the-team-from-what-we-do-in-the-shadows-evolved-sonycine\/","title":{"rendered":"Post in a Pandemic: How the Team From \u201cWhat We Do in the Shadows\u201d Evolved | SonyCine"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/WWDITS01.jpg?ssl=1\" alt=\"What We Do in the Shadows\" class=\"wp-image-18892\"\/><figcaption class=\"wp-element-caption\">Post facility Light Iron developed an all-remote workflow to complete the second season of FX\u2019s \u201cWhat We Do in the Shadows.\u201d Pictured is Matt Berry, photo by Pari Dukovic\/FX<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"has-medium-font-size wp-block-paragraph\"><em><strong>\u201cJust as Season 2 of What We Do in the Shadows finished shooting, studios and productions alike began to shut down, as the COVID19-induced pandemic set in and brought the entertainment industry to a halt. But with creative minds on overdrive, it was only a short time until they figured out how to pivot. Anything that had finished shooting and was now in post-production had the biggest benefit, as adjustments were made. For the team on What We Do in the Shadows, they had just recently begun post-production. \u2018The shutdown hit right when we were finishing post on the first episode of Season 2,\u2019 said post producer Ingrid Lageder (Silicon Valley, True Blood). \u2018Practically overnight, our post team and our post facilities had to figure out a new workflow.\u2019\u201d<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-medium-font-size wp-block-paragraph\"><em>Source: Suzanne Lezotte, SonyCine<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">AT A GLANCE:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Light Iron colorist Ethan Schwartz details how a remote post-production workflow for the second season of FX\u2019s <em>What We Do in the Shadows<\/em> was created on the fly in an interview with Suzanne Lezotte on the SonyCine blog. \u201cWe are a Baselight and Resolve facility, but Baselight isn\u2019t quite as easy to physically transport as Resolve,\u201d Schwartz explains in the interview. \u201cI typically color on Baselight, but I\u2019m fluent in both, so I switched to Resolve for <em>WWDITS<\/em> because I knew it would be easier to set up at home.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborating remotely with series director of photography DJ Stipsen, the post-production team remained on track using a combination of Zoom, Evercast, and Resilio Sync along with Cospective\u2019s CineSync for music and VFX reviews.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Head over to the <a href=\"https:\/\/sonycine.com\/articles\/post-in-a-pandemic--how-the-team-from---what-we-do-in-the-shadows--evolved\/\" target=\"_blank\" rel=\"noreferrer noopener\">SonyCine blog<\/a> to read the full story.<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Colorist Ethan Schwartz details the remote post-production workflow created for the second season of FX\u2019s \u201cWhat We Do in the Shadows.\u201d<\/p>\n","protected":false},"author":2,"featured_media":167769,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"categories":[248],"class_list":["post-18886","articles","type-articles","status-publish","has-post-thumbnail","hentry","category-amplify"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Post in a Pandemic: How the Team From \u201cWhat We Do in the Shadows\u201d Evolved | SonyCine | Jennifer Wolfe<\/title>\n<meta name=\"description\" content=\"Colorist Ethan Schwartz details the remote post-production workflow created for the second season of FX\u2019s \u201cWhat We Do in the Shadows.\u201d\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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