{"id":19177,"date":"2021-03-26T09:04:55","date_gmt":"2021-03-26T09:04:55","guid":{"rendered":"https:\/\/amplify.nabshow.com\/?post_type=articles&#038;p=19177"},"modified":"2024-09-07T22:45:34","modified_gmt":"2024-09-07T22:45:34","slug":"harry-yoon-ace-editor-of-oscar-contender-minari-provideo-coalition","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/harry-yoon-ace-editor-of-oscar-contender-minari-provideo-coalition\/","title":{"rendered":"Speak, Memory: Editing \u201cMinari\u201d"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"640\" data-attachment-id=\"169230\" data-permalink=\"https:\/\/jwolfepr.com\/dev\/articles\/harry-yoon-ace-editor-of-oscar-contender-minari-provideo-coalition\/minari-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?fit=1280%2C640&amp;ssl=1\" data-orig-size=\"1280,640\" data-comments-opened=\"0\" data-image-title=\"Minari\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?fit=1024%2C512&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari.jpg?resize=1280%2C640&#038;ssl=1\" alt=\"\" class=\"wp-image-169230\" srcset=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?resize=1280%2C640&amp;ssl=1 1280w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?resize=300%2C150&amp;ssl=1 300w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?resize=1024%2C512&amp;ssl=1 1024w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?resize=768%2C384&amp;ssl=1 768w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Minari-1280x640.jpg?resize=640%2C320&amp;ssl=1 640w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">Edited by Harry Yoon, ACE, \u201cMinari\u201d is a tender and sweeping story based on Korean-American director Lee Isaac Chung\u2019s childhood in rural Arkansas. Image courtesy of A24.<\/figcaption><\/figure>\n<\/div>\n\n\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<p class=\"wp-block-paragraph\">Discussing <em>Minari<\/em>, a tender and sweeping story based on Korean-American director Lee Isaac Chung\u2019s childhood in rural Arkansas, <em>IndieWire<\/em>\u2019s <a href=\"https:\/\/www.indiewire.com\/2020\/01\/minari-review-sundance-1202206360\/\" target=\"_blank\" rel=\"noreferrer noopener\">David Ehlrich<\/a> praised the film as \u201can immensely moving immigrant story,\u201d writing, \u201cLee Isaac Chung\u2019s fourth feature is a gentle, sweet, and yet staggeringly powerful story of assimilating into the American Dream\u2026 Told with the rugged tenderness of a Flannery O\u2019Connor novel but aptly named for a resilient Korean herb that can grow wherever it\u2019s planted, it\u2019s a raw and vividly remembered story of two simultaneous assimilations; it\u2019s the story of a family assimilating into a country, but also the story of a man assimilating into his family.\u201d<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.npr.org\/player\/embed\/973262034\/973372880\" width=\"100%\" height=\"240\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">Film critic <a href=\"https:\/\/www.rogerebert.com\/reviews\/minari-movie-review-2020\" target=\"_blank\" rel=\"noreferrer noopener\">Matt Zoller Seitz<\/a>, in his review for RogerEbert.com, writes, \u201cLee Isaac Chung\u2019s <em>Minari<\/em> casts a spell from its opening moments, a Terrence Malick-like evocation of human beings trying to stay in harmony with the natural world. As a family car travels through a green American landscape, the earth itself seems to be speaking to the characters, and through them, to us.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"MINARI | Scene at The Academy\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/O8CNVCmyy3I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The movie, which stars Steven Yeun from <em>The Walking Dead<\/em> and <em>Burning<\/em>, was shot by cinematographer Lachlan Milne and edited by Harry Yoon, ACE. Yoon was an additional editor on <em>First Man<\/em> and The <em>Last Black Man in San Francisco<\/em>. He also co-edited the movie <em>Detroit<\/em> with William Goldenberg, ACE, and edited <em>The Best of Enemies<\/em> along with episodes of <em>Euphoria<\/em> and <em>The Newsroom<\/em>.<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/www.npr.org\/player\/embed\/971325252\/971325308\" width=\"100%\" height=\"240\" frameborder=\"0\" scrolling=\"no\" title=\"NPR embedded audio player\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI think the reason that I love this process so much is that I\u2019m the first person that gets to see a scene as it\u2019s being created,\u201d Yoon comments about his work in an interview with <a href=\"https:\/\/spectrumnews1.com\/ca\/la-west\/entertainment\/2020\/12\/09\/sundance-winner--minari--chases-american-dream-and-oscars\" target=\"_blank\" rel=\"noreferrer noopener\">Nic Cha Kim<\/a> for <em>Spectrum News 1<\/em>. \u201cThat brings me back to when I was a kid sitting at my local multiplex watching movies and just being so transported. It just excites me every time that I cut a scene, is I get to be that kid again.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Minari | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/KQ0gFidlro8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yoon discusses his collaboration with Chung on <em>Minari<\/em> in an interview with <a href=\"https:\/\/www.provideocoalition.com\/aotc-minari\/\" target=\"_blank\" rel=\"noreferrer noopener\">Steve Hullfish<\/a> for the <em><a href=\"https:\/\/www.provideocoalition.com\/aotc-minari\/\" target=\"_blank\" rel=\"noreferrer noopener\">Art of the Cut Podcast<\/a><\/em>. \u201cI was so impressed from day one,\u201d Yoon says. \u201cYou felt like the amount of attention and desire to elevate the material coming from Isaac and Lachlan\u2019s shot design. There was a real confidence there, and I think part of it comes from the fact that this is Isaac\u2019s fourth or fifth feature film that he\u2019s done. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThere isn\u2019t that unnecessary experimentation. There isn\u2019t that: \u2018Oh I have to get this safety angle,\u2019 et cetera. There was a real confidence that I saw in the dailies which was great.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI was sending [Isaac] scenes pretty much at the end of every week,\u201d <a href=\"https:\/\/www.provideocoalition.com\/aotc-minari\/\" target=\"_blank\" rel=\"noreferrer noopener\">Yoon tells Hullfish<\/a>. \u201cPretty much I was always up to camera but maybe not every scene that they shot by Friday but sending him enough scenes to give him a sense of where he was \u2014 not just in terms of planning but I think emotionally it was important for him to feel like \u2018OK, we\u2019ve got a film. The performances are as genuine as I feel that they are. There is a chemistry that\u2019s happening in the family that we see on set but it\u2019s translating to the screen.\u2019\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Watch a Family Build a New Life in America in \u2018Minari\u2019 | Anatomy of a Scene\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hoJptEKKf-c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI couldn\u2019t believe that they were doing it with the time that they had and the budget that they had. It just really excited me,\u201d Yoon continues. \u201cThey\u2019re really bringing their A-game. It inspires you to work that much harder to honor that effort that production is doing.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Listen to the full interview with Yoon in the player below:<\/p>\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/anchor.fm\/artofthecut\/embed\/episodes\/78-Minari-Editor-Harry-Yoon--ACE-enrld3\/a-a44qs87\" height=\"102px\" width=\"100%\" frameborder=\"0\" scrolling=\"no\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.provideocoalition.com\/aotc-minari\/\" target=\"_blank\" rel=\"noreferrer noopener\">You can can also read the full transcript of the interview here.<\/a><\/p>\n\n\n\n<iframe loading=\"lazy\" style=\"border: none\" src=\"\/\/html5-player.libsyn.com\/embed\/episode\/id\/17939720\/height\/90\/theme\/custom\/thumbnail\/yes\/direction\/forward\/render-playlist\/no\/custom-color\/8f1dcd\/\" height=\"90\" width=\"100%\" scrolling=\"no\" allowfullscreen=\"\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" oallowfullscreen=\"\" msallowfullscreen=\"\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\">Want more? Watch the video below with Yoon and assistant editor Irene Chun as they discuss their editorial process for <em>Minari<\/em> at Sundance 2020:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"#AVID #SUNDANCE \u23e9 Editor Harry Yoon and assistant editor Irene Chun (Minari) | @Westlakepro\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/7fsymvIxMWo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Minari | Clip: Strong Boy | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hcnnXp8xzHA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI think the reason that I love this process so much is that I\u2019m the first person that gets to see a scene as it\u2019s being created.\u201d<\/p>\n","protected":false},"author":2,"featured_media":169230,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"categories":[248],"class_list":["post-19177","articles","type-articles","status-publish","has-post-thumbnail","hentry","category-amplify"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - 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