{"id":28984,"date":"2021-03-12T09:04:58","date_gmt":"2021-03-12T09:04:58","guid":{"rendered":"https:\/\/amplify.nabshow.com\/?post_type=articles&#038;p=28984"},"modified":"2026-03-05T20:02:21","modified_gmt":"2026-03-05T20:02:21","slug":"how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\/","title":{"rendered":"How a Small Crew on \u201cThe Truffle Hunters\u201d Captured Sound and Light | Source: Variety"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_6-LR-1200x630-1.jpg?ssl=1\" alt=\"Birba with Aurelio Conterno in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28970\"\/><figcaption class=\"wp-element-caption\">Birba with Aurelio Conterno in \u201cThe Truffle Hunters.\u201d Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics<\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h3 class=\"wp-block-heading\"><strong><em>\u201cFilmmakers Michael Dweck and Gregory Kershaw wore multiple hats to capture the lives of truffle hunters in Italy\u2019s Piedmont region, acting as directors, writers, producers and cinematographers.<br><\/em><\/strong><br><strong><em>\u201cDweck and Kershaw\u2019s Oscar-shortlisted documentary The Truffle Hunters, which opens Friday in theaters, follows several elderly men who have devoted their lives to searching out the increasingly rare fungi. It took three years to capture the 107 shots that feature in the movie. Dweck and Kershaw wanted to present the documentary \u2018like a storybook\u2019 which was influenced by Italian Renaissance painters. Their goal was to immerse themselves in the world of the truffle hunters in order to for viewers to be equally captivated by that world.\u201d<\/em><\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><strong><em>Source: Jazz Tangcay, Variety<\/em><\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE TRUFFLE HUNTERS | Official Trailer (2020)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/KFYhrc0AnVw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">AT A GLANCE:<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Speaking with <em>Variety<\/em> artisans editor <a href=\"https:\/\/variety.com\/2021\/artisans\/awards\/truffle-hunters-michael-dweck-gregory-kershaw-sound-cinematography-1234922722\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jazz Tangcay<\/a>, filmmakers Michael Dweck and Gregory Kershaw discuss the making of their documentary feature, <em>The Truffle Hunters<\/em>. The duo spent three years in the remote Italian Piedmont region, building relationships with seven truffle hunters and their families.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe didn\u2019t come to this project with a story,\u201d Kershaw tells Tangcay. \u201cWe just came to it with this fascination and this love for this place. And before we had any idea of what the story was going to be and how we were going to tell we just knew that we wanted to use cinema to capture a feeling.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Comprised of lengthy shots that allow the rustic scenery and intimate indoor sequences to slowly unfold, visuals for the film were captured using a stationary Arri Alexa Mini paired with Ang\u00e9nieux lenses. \u201cWe rented the camera from an Italian rental house,\u201d Dweck recounts. \u201cThey only had a tripod head from a 1960s Fellini movie. So the head weighed 30 kilos. We had a tripod that weighed 50 kilos, and we had a camera and lens that probably weighed another 50 kilos.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Audio was also very important to the filmmakers. \u201cWe wanted to immerse the audience into the subjective experience of this place, and we had a creative sound person,\u201d Dweck said. \u201cWe believed the soundscape of the film has equal weight to the narrative of the film.\u201d Sound recordist Mirko Guerra faithfully recorded interior sounds like squeaky hinges and creaky floors as well as the echo of a marble floored kitchen, along with outdoor sounds such as dog barks, church bells, the wind in the trees, and bubbling streams.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lighting was a subtractive process, influenced by Italian painters such as Caravaggio. \u201cWe would never light from the ground out,\u201d Kershaw comments. \u201cMore often than not, instead of adding light, we were subtracting light. We traveled with two small sky panels and that was our entire lighting for the film.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Head over to <em><a href=\"https:\/\/variety.com\/2021\/artisans\/awards\/truffle-hunters-michael-dweck-gregory-kershaw-sound-cinematography-1234922722\/\" target=\"_blank\" rel=\"noreferrer noopener\">Variety<\/a><\/em> to read the full story.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28979\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_1-LR.jpg?ssl=1\" alt=\"Aurelio Conterno with Birba in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28979\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28983\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_5-LR.jpg?ssl=1\" alt=\"Angelo Gagliardi (right) in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28983\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28982\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_4-LR.jpg?ssl=1\" alt=\"Gianfranco Curti in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28982\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28981\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_3-LR.jpg?ssl=1\" alt=\"Carlo Gonella and Maria Cicci\u00f9 in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28981\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28980\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_2-LR.jpg?ssl=1\" alt=\"Fiona with Sergio Cauda in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28980\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28976\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/1_12-LR.jpg?ssl=1\" alt=\"Aurelio Conterno with Birba in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28976\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28975\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/11-LR.jpg?ssl=1\" alt=\"Aurelio Conterno with Birba in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28975\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28974\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/10-LR.jpg?ssl=1\" alt=\"Gianfranco Curti in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28974\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28973\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/9-LR.jpg?ssl=1\" alt=\"Birba with Aurelio Conterno in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28973\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28972\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/8-LR.jpg?ssl=1\" alt=\"THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28972\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28971\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/7-LR.jpg?ssl=1\" alt=\"Angelo Gagliardi in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28971\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" decoding=\"async\" data-id=\"28969\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/6-LR.jpg?ssl=1\" alt=\"Birba with Aurelio Conterno in THE TRUFFLE HUNTERS. Cr: Michael Dweck and Gregory Kershaw\/ Sony Pictures Classics\" class=\"wp-image-28969\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" height=\"720\" width=\"539\" decoding=\"async\" data-id=\"28977\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/13-LR.jpg?resize=539%2C720&#038;ssl=1\" alt=\"Michael Dweck, Director-Cinematographer-Producer of THE TRUFFLE HUNTERS. Cr: Henry Leutwyler\" class=\"wp-image-28977\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" height=\"720\" width=\"605\" decoding=\"async\" data-id=\"28978\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/14-LR.jpg?resize=605%2C720&#038;ssl=1\" alt=\"Gregory Kershaw, Director-Cinematographer-Producer of THE TRUFFLE HUNTERS. Cr: Cl\u00e9ment Morin\" class=\"wp-image-28978\"\/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Filmmakers Michael Dweck and Gregory Kershaw use the ARRI Alexa Mini and Ang\u00e9nieux lenses for their documentary on the elusive Alba truffle.<\/p>\n","protected":false},"author":2,"featured_media":29760,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"categories":[248],"class_list":["post-28984","articles","type-articles","status-publish","has-post-thumbnail","hentry","category-amplify"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How a Small Crew on \u201cThe Truffle Hunters\u201d Captured Sound and Light | Source: Variety | Jennifer Wolfe<\/title>\n<meta name=\"description\" content=\"Filmmakers Michael Dweck and Gregory Kershaw use the ARRI Alexa Mini and Ang\u00e9nieux lenses for their documentary on the elusive Alba truffle.\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How a Small Crew on \u201cThe Truffle Hunters\u201d Captured Sound and Light | Source: Variety | Jennifer Wolfe\" \/>\n<meta property=\"og:description\" content=\"Filmmakers Michael Dweck and Gregory Kershaw use the ARRI Alexa Mini and Ang\u00e9nieux lenses for their documentary on the elusive Alba truffle.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jwolfepr.com\/dev\/articles\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\/\" \/>\n<meta property=\"og:site_name\" content=\"Jennifer Wolfe\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-05T20:02:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/jwolfepr.com\/dev\/wp-content\/uploads\/2021\/03\/TruffleHunters-feature-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"630\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@WordsWolfe\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/\",\"url\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/\",\"name\":\"How a Small Crew on \u201cThe Truffle Hunters\u201d Captured Sound and Light | Source: Variety | Jennifer Wolfe\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/jwolfepr.com\\\/dev\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/TruffleHunters-feature-1.jpg?fit=1200%2C630&ssl=1\",\"datePublished\":\"2021-03-12T09:04:58+00:00\",\"dateModified\":\"2026-03-05T20:02:21+00:00\",\"description\":\"Filmmakers Michael Dweck and Gregory Kershaw use the ARRI Alexa Mini and Ang\u00e9nieux lenses for their documentary on the elusive Alba truffle.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/jwolfepr.com\\\/dev\\\/articles\\\/how-a-small-crew-on-the-truffle-hunters-captured-sound-and-light-source-variety\\\/#primaryimage\",\"url\":\"https:\\\/\\\/i0.wp.com\\\/jwolfepr.com\\\/dev\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/TruffleHunters-feature-1.jpg?fit=1200%2C630&ssl=1\",\"contentUrl\":\"https:\\\/\\\/i0.wp.com\\\/jwolfepr.com\\\/dev\\\/wp-content\\\/uploads\\\/2021\\\/03\\\/TruffleHunters-feature-1.jpg?fit=1200%2C630&ssl=1\",\"width\":1200,\"height\":630,\"caption\":\"Aurelio Conterno with Birba in THE TRUFFLE HUNTERS. 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