{"id":33495,"date":"2021-04-07T09:04:51","date_gmt":"2021-04-07T09:04:51","guid":{"rendered":"https:\/\/amplify.nabshow.com\/?post_type=articles&#038;p=33495"},"modified":"2024-09-15T16:37:23","modified_gmt":"2024-09-15T16:37:23","slug":"local-heroes-how-concrete-cowboy-walks-the-line-between-documentary-and-narrative-filmmaking","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/local-heroes-how-concrete-cowboy-walks-the-line-between-documentary-and-narrative-filmmaking\/","title":{"rendered":"\u201cConcrete Cowboy\u201d Walks the Line Between Documentary and Narrative Filmmaking"},"content":{"rendered":"\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"630\" data-attachment-id=\"33827\" data-permalink=\"https:\/\/jwolfepr.com\/dev\/concretecowboy-feature\/\" data-orig-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2021\/04\/ConcreteCowboy-feature.jpg?fit=1200%2C630&amp;ssl=1\" data-orig-size=\"1200,630\" data-comments-opened=\"1\" data-image-meta=\"{&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"ConcreteCowboy-feature\" data-image-description=\"&lt;p&gt;Idris Elba in \u201cConcrete Cowboy.\u201d Cr: Netflix&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Idris Elba in \u201cConcrete Cowboy.\u201d Cr: Netflix&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2021\/04\/ConcreteCowboy-feature.jpg?fit=1024%2C538&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/ConcreteCowboy-feature.jpg?resize=1200%2C630&#038;ssl=1\" alt=\"Idris Elba in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33827\"\/><figcaption class=\"wp-element-caption\">Idris Elba in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sent to live with his estranged father for the summer, a rebellious teen finds kinship in a tight-knit Philadelphia community of Black cowboys in <em>Concrete Cowboy<\/em>, the debut feature from director Ricky Staub, who co-wrote the script with Dan Walser. The film, which is now streaming on Netflix, was inspired by the novel \u201cGhetto Cowboy\u201d by G. Neri, but the project came to life when Stub met the real-life urban cowboys of Philadelphia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Concrete Cowboy<\/em> follows 15-year-old Cole (Caleb McLaughlin), who, following expulsion from school in Detroit, is sent to North Philadelphia to live with his estranged father, Harp (Idris Elba). Harp finds solace in rehabilitating horses for inner city cowboys at the Fletcher Street Stables, a real-life black urban horsemanship community that has provided a safe haven for the neighborhood residents for more than 100 years. Torn between his growing respect for his father\u2019s community and his reemerging friendship with troubled cousin Smush (Jharrel Jerome), Cole begins to reprioritize his life as the stables themselves are threatened by encroaching gentrification.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Concrete Cowboy | Official Trailer | Netflix\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/WZ3dgHqaw8U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Part documentary and part coming-of-age-story, <em>Concrete Cowboy <\/em>is 100% authentic. The film production used local talent whenever possible, and filmed on location in downtown Philadelphia. \u201cThe new Netflix film <em>Concrete Cowboy<\/em> is at its best when it is focused less on its plot than on its visually stunning documentation of the culture of Black cowboys in Philadelphia,\u201d <a href=\"https:\/\/www.thrillist.com\/entertainment\/nation\/concrete-cowboy-real-story-netflix-film\" target=\"_blank\" rel=\"noreferrer noopener\">Esther Zuckerman<\/a> writes her review for <em>Thrillist<\/em>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cThe film, which stars Idris Elba and <em>Stranger Things<\/em>\u2019 Caleb McLaughlin, tells the story of a teenager, Cole (McLaughlin), who is sent by his exhausted mother to live with his father, Harp (Elba), a leader of the Fletcher Street Stables community in Philly. While Cole initially turns up his nose at the horses \u2014 one of whom is living in the room where he is supposed to sleep \u2014 he eventually starts to grow into maturity when he accepts the pastime and learns from it.\u201d<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.thrillist.com\/entertainment\/nation\/concrete-cowboy-real-story-netflix-film\" target=\"_blank\" rel=\"noreferrer noopener\">How Netflix\u2019s \u2018Concrete Cowboy\u2019 Brought the Story of Philly Horseback Riders to Life (Thrillist)<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_01-LR.jpg?ssl=1\" alt=\"Idris Elba and Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33490\"\/><figcaption class=\"wp-element-caption\">Idris Elba and Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.vice.com\/en\/article\/y3gaxb\/with-concrete-cowboys-black-cowboys-get-their-due-netflix-review\" target=\"_blank\" rel=\"noreferrer noopener\">Kristin Corry<\/a>, in her review for <em>Vice<\/em>, examines the film in the context of common tropes in criticism about Black filmmaking. \u201cPeople will likely be talking about <em>Concrete Cowboy<\/em> as a film about fatherhood, masculinity, and other buzzwords that come along with cultural criticism about Black art. A new Black renaissance in film has made stories that were traditionally excluded from the mainstream more visible, but the commentary continues to feel singular,\u201d she writes.<\/p>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-css-opacity has-luminous-vivid-amber-background-color has-background is-style-default\"\/>\n\n\n\n<h4 class=\"wp-block-heading has-luminous-vivid-amber-background-color has-background\" id=\"navigating-the-metaverse\"><a href=\"https:\/\/amplify.nabshow.com\/?s=metaverse&amp;v=content\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/amplify.nabshow.com\/?s=Motion%20Picture%20\/%20Film%20and%20Documentary&amp;v=content\" target=\"_blank\" rel=\"noreferrer noopener\">NOT WHODUNNIT, BUT HOW-DUNNIT \u2014 DIGGING INTO DOCUMENTARIES:<\/a><\/h4>\n\n\n\n<h6 class=\"wp-block-heading has-black-color has-text-color has-medium-font-size\" id=\"the-metaverse-may-be-a-wild-frontier-but-here-at-nab-amplify-we-ve-got-you-covered-hand-selected-from-our-archives-here-are-some-of-the-essential-insights-you-ll-need-to-expand-your-knowledge-base-and-confidently-explore-the-new-horizons-ahead\"><em><em>Documentary filmmakers are unleashing cutting-edge technologies such as artificial intelligence and virtual reality to bring their projects to life. Gain insights into the making of these groundbreaking projects with these articles extracted from the <\/em><\/em>NAB Amplify<em><em> archives:<\/em><\/em><\/h6>\n\n\n\n<ul class=\"wp-block-list has-medium-font-size\">\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/crossing-the-line-how-the-roadrunner-documentary-created-an-ethics-firestorm\/\" target=\"_blank\" rel=\"noreferrer noopener\">Crossing the Line: How the \u201cRoadrunner\u201d Documentary Created an Ethics Firestorm<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/ill-be-your-mirror-reflection-and-refraction-in-the-velvet-underground\/\" target=\"_blank\" rel=\"noreferrer noopener\">I\u2019ll Be Your Mirror: Reflection and Refraction in \u201cThe Velvet Underground\u201d<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-navalny-when-your-documentary-becomes-a-spy-thriller\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cNavalny:\u201d When Your Documentary Ends Up As a Spy Thriller<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/restored-and-reborn-summer-of-soul-or-when-the-revolution-could-not-be-televised\/\" target=\"_blank\" rel=\"noreferrer noopener\">Restored and Reborn: \u201cSummer of Soul (\u2026Or, When the Revolution Could Not Be Televised)\u201d<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/amplify.nabshow.com\/articles\/create-it-was-a-long-and-winding-road\/\" target=\"_blank\" rel=\"noreferrer noopener\">It WAS a Long and Winding Road: Producing Peter Jackson\u2019s Epic Documentary \u201cThe Beatles: Get Back\u201d<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-luminous-vivid-amber-color has-css-opacity has-luminous-vivid-amber-background-color has-background\"\/>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Yet, \u201coverarching themes like exploring a young boy\u2019s frayed relationship with his father\u201d serve only as a single entry point into Black life, Corry notes. \u201c[Director Ricky Staub] seems to understand that, touching upon the usual tropes while at least attempting to push past them. One of the ways he does that is through using the cowboy conceit to view issues of gentrification in Philly from the perspective of a discussion about territory, and what happens when owners come to collect what they feel is rightfully theirs.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.vice.com\/en\/article\/y3gaxb\/with-concrete-cowboys-black-cowboys-get-their-due-netflix-review\" target=\"_blank\" rel=\"noreferrer noopener\">With \u2018Concrete Cowboy\u2019, Black Cowboys Get Their Due (Vice)<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_07-LR.jpg?ssl=1\" alt=\"\u201cConcrete Cowboy\u201d directed by Ricky Staub. Cr: Netflix\" class=\"wp-image-33486\"\/><figcaption class=\"wp-element-caption\">Idris Elba in \u201cConcrete Cowboy\u201d directed by Ricky Staub. Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">While Idris Elba brings his A-list talent to the table, the true stars of <em>Concrete Cowboy<\/em> are the Fletcher Street riders, and from the beginning Staub wanted his film to be centered on them. \u201cThese are real-life Fletcher Street riders, whom Straub has worked into the plot and coaxed such genuine performances out of, they probably deserved top billing,\u201d <a href=\"https:\/\/www.indiewire.com\/2020\/09\/concrete-cowboy-review-idris-elba-1234585973\/\" target=\"_blank\" rel=\"noreferrer noopener\">Eric Kohn<\/a> writes in his review for IndieWire:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cChief among them is wheelchair-bound Jamil Prattis, who helps Cole get a handle on the shit-shoveling stable routine before he warms up to his surroundings, and Ivanna Mercedes, the plucky young rider who becomes Cole\u2019s romantic interest. Once again, their relationship isn\u2019t exactly deep, but there\u2019s an underlying authenticity to their performances \u2014 aided by cinematographer Minka Farthing-Kohl\u2019s magic-hour cinematography \u2014 that endows <em>Concrete Cowboy<\/em> with genuine docudrama intrigue as it maps out a hidden world. That gives the movie a real sense of peril when its future is endangered by encroaching gentrification.\u201d<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.indiewire.com\/2020\/09\/concrete-cowboy-review-idris-elba-1234585973\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Concrete Cowboy\u2019 Review: Idris Elba Stars in a Formulaic but Fun Father-Son Drama (IndieWire)<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Despite the challenges of shooting on location in downtown Philadelphia, the filmmakers were determined to include as many real-life elements as possible. The cramped urban setting of the Fletcher Street Stables \u201ccreates incredible visuals in the movie,\u201d <a href=\"https:\/\/www.motionpictures.org\/2021\/04\/concrete-cowboy-director-ricky-staub\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kelle Long<\/a> notes in <em>The Credits<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_03-LR.jpg?ssl=1\" alt=\"Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33492\"\/><figcaption class=\"wp-element-caption\">Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cFor me, anytime someone says no one has shot there or you can\u2019t shoot there, I immediately want to shoot there,\u201d Staub said to Long. \u201cIt\u2019s wonderful to be able to make something that no one\u2019s ever seen. Especially the actual stables and community there, and just to be the first. Hopefully, there are other stories that come out of this community and Black cowboy movies.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.motionpictures.org\/2021\/04\/concrete-cowboy-director-ricky-staub\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u201cConcrete Cowboy\u201d Director Ricky Staub Saddles Up in Feature Debut (The Credits)<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_05-LR.jpg?ssl=1\" alt=\"Idris Elba and Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33493\"\/><figcaption class=\"wp-element-caption\">Idris Elba and Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">As any filmmaker can attest, any production involving horses becomes exponentially complex, but filming horses in a modern-day city presents even more logistical challenges. Speaking to <a href=\"https:\/\/www.filminquiry.com\/ricky-staub-interview\/\" target=\"_blank\" rel=\"noreferrer noopener\">Luke Parker<\/a> in an interview for <em>Film Inquiry<\/em>, Staub details these challenges, as well as how employing a documentary approach helped overcome them:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cWell out the gates, there\u2019s safety. We\u2019re also shooting in the middle of summer, so there\u2019s that. They\u2019re animals. Thankfully, we had really wonderful horse trainers. LTD is the company that brought in our picture horses. But then, we were also using the real horses down at Fletcher Street as background. You know, they\u2019re animals \u2014 humans don\u2019t even obey when they\u2019re asked to do something, let alone an animal.<br><br>\u201cBut as long as we were flexible and understanding, a lot of our approach was to capture the world in a documentary-style anyway. It went to those variables in a lot of ways, like, \u2018okay, this is how they\u2019re acting. We need to pivot and just capture what\u2019s possible in that moment.\u2019 There had to be a lot of flexibility.\u201d<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_09.jpg?ssl=1\" alt=\"\u201cConcrete Cowboy\u201d directed by Ricky Staub. Cr: Netflix\" class=\"wp-image-33488\"\/><figcaption class=\"wp-element-caption\">\u201cConcrete Cowboy\u201d directed by Ricky Staub. Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">While Staub had long been drawn to the image of a cowboy riding down the streets of North Philadelphia, it was his work in the community that led him to make <em>Concrete Cowboy<\/em>, he tells Parker:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cVisually, it\u2019s very resting to see a cowboy riding down the streets of North Philly. It\u2019s not a common image. But obviously, this majestic creature in the middle of the neighborhood, from a visual standpoint, is very resting, which then drew me to the book.<br><br>\u201cBut what really sealed the deal for me \u2014 in 2011, I started a production company in Philadelphia called Neighborhood, with a mission to hire adults returning home from incarceration. And the first cowboy I met, his name was Eric Miller. I was speaking in court, as I do every year. He had been out of prison for a week and already purchased a horse, which I found very fascinating. So we struck up a conversation and I was able to learn more about Fletcher Street and the community there, the problems they were facing with gentrification making its way up north and their fear of losing their land and stables.\u201d<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.filminquiry.com\/ricky-staub-interview\/\" target=\"_blank\" rel=\"noreferrer noopener\">Interview With Ricky Staub, Writer-Director of CONCRETE COWBOY (Film Inquiry)<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_06-LR.jpg?ssl=1\" alt=\"Idris Elba and Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33494\"\/><figcaption class=\"wp-element-caption\">Idris Elba in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Staub detailed his deep relationships with the Fletcher Street Riders, and within the South Philadelphia community as a whole, in a <a href=\"https:\/\/www.talkhouse.com\/terrifying-unexpected-beautiful-the-making-of-concrete-cowboy\/\" target=\"_blank\" rel=\"noreferrer noopener\">personal essay on Talkhouse<\/a>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cWe spent years putting this film together before I stepped onto set. My closest collaborators from the community were two cowboys, Eric \u2018E\u2019 Miller and Jamil \u2018Mil\u2019 Prattis. Mil you\u2019d know as Paris from the film. E was my main man behind the scenes. I met E in 2017 while speaking in court \u2014 I launched a production company in 2011 called Neighborhood Film Company, with a mission to hire adults returning home from incarceration, so I speak every year in court to new candidates. E stood before the judge, after only being home a week, and said he\u2019d just purchased a horse. This fascinated me. We struck up a conversation, which led to a friendship, which ultimately led to us deciding to put together a film in hopes of using it as a wake-up call for the city to help save the legacy of Black Cowboys in Philadelphia, as the stables down at Fletcher Street were facing extinction at the hands of gentrification.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">In a tragic turn of events, Eric \u201cE\u201d Miller was murdered during a robbery of his home one week before pre-production. In the wake of E\u2019s death Staub was unsure how the filmmakers would be able to mobilize the community to support <em>Concrete Cowboy<\/em>, but he was determined to press on. He attended E\u2019s funeral just days before the entire production office was scheduled to open, and was enormously touched by the number of people who came up to him to speak about the project:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cCommunity member after community member came up to me telling me how much they had been looking forward to meeting me, how much E had told them about the story, and even further how E imagined them playing a role in the film. Cowboys and cowgirls with stories, props we could use, photos for inspiration \u2014 you name it, they had it ready for me. Unbeknownst to me all these years, E had been taking his role as producer very seriously, planting seeds for how we\u2019d tell this story with the full community involved. I remember him always telling me, \u2018No matter what, we have to include everyone. We need everyone\u2019s voice. This is about all of us.\u2019\u201d<\/p>\n<\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.talkhouse.com\/terrifying-unexpected-beautiful-the-making-of-concrete-cowboy\/\" target=\"_blank\" rel=\"noreferrer noopener\">Terrifying. Unexpected. Beautiful: The Making of Concrete Cowboy (Talkhouse)<\/a><\/h3>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Concrete-Cowboy_08.jpg?ssl=1\" alt=\"Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix\" class=\"wp-image-33487\"\/><figcaption class=\"wp-element-caption\">Caleb McLaughlin in \u201cConcrete Cowboy.\u201d Cr: Netflix<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Caleb McLaughlin &amp; Jharrel Jerome Break Down The Epic Chase Scene in Concrete Cowboy | Netflix\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/VzffSi-gvnI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; 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