{"id":42419,"date":"2021-06-15T09:04:40","date_gmt":"2021-06-15T09:04:40","guid":{"rendered":"https:\/\/amplify.nabshow.com\/?post_type=articles&#038;p=42419"},"modified":"2024-09-15T15:49:42","modified_gmt":"2024-09-15T15:49:42","slug":"the-beautiful-visual-creep-out-thats-behind-her-eyes","status":"publish","type":"articles","link":"https:\/\/jwolfepr.com\/dev\/articles\/the-beautiful-visual-creep-out-thats-behind-her-eyes\/","title":{"rendered":"Making the Beautiful Creep-Out That\u2019s \u201cBehind Her Eyes\u201d"},"content":{"rendered":"\n<div class=\"wp-block-columns article-content is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"630\" data-attachment-id=\"42418\" data-permalink=\"https:\/\/jwolfepr.com\/dev\/behindhereyes_limitedseries_episode4_00_32_41_23\/\" data-orig-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2021\/06\/BehindHerEyes_LimitedSeries_Episode4_00_32_41_23.jpg?fit=1200%2C630&amp;ssl=1\" data-orig-size=\"1200,630\" data-comments-opened=\"1\" data-image-meta=\"{&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"BehindHerEyes_LimitedSeries_Episode4_00_32_41_23\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2021\/06\/BehindHerEyes_LimitedSeries_Episode4_00_32_41_23.jpg?fit=1024%2C538&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/BehindHerEyes_LimitedSeries_Episode4_00_32_41_23.jpg?resize=1200%2C630&#038;ssl=1\" alt=\"Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-image-42418\"\/><figcaption class=\"wp-element-caption\">Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Behind Her Eyes | Official Trailer | Netflix\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/c4LtoWQaLxk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">For Netflix\u2019s psychological thriller <em>Behind Her Eyes<\/em>, cinematographer <a href=\"https:\/\/www.felixwiedemann.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Felix Wiedemann, BSC<\/a> opted to shoot with the ARRI Alexa LF outfitted with lenses from the Cooke S7\/i range.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The six-part limited series, which is directed by Erik Richter Strand and stars Simona Brown, Eve Hewson and Tom Bateman, is based on the novel of the same name by Sarah Pinborough. The story follows Louise (Brown), a single mum with a son and a part-time job in a psychiatrist\u2019s office. Louise begins an affair with her boss and strikes up an unlikely friendship with his wife, but finds herself caught in a web of secrets and lies where nothing is what it seems.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIt\u2019s a story full of mystery and suspense, and there\u2019s a sense that the audience doesn\u2019t know whether characters are telling the truth. To counter that, we wanted the photography to be very clear, detailed and honest, letting the audience \u2018participate\u2019 and allowing their eyes to wander around the screen to take in all the details,\u201d <a href=\"https:\/\/www.cookeoptics.com\/u\/news.html?open&amp;k=behind-her-eyes\" target=\"_blank\" rel=\"noreferrer noopener\">Wiedemann explained<\/a>. \u201cThis led us to look at shooting full frame, to bring as much clarity and resolution as we could to the image.\u201d<\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Cinematographer Felix Wiedemann, Eve Hewson and Tom Bateman on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42401\" data-id=\"42401\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-1-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Cinematographer Felix Wiedemann, Eve Hewson and Tom Bateman on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Simona Brown as Louise Barnsley and Tom Bateman as Dr. David Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42409\" data-id=\"42409\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_Netflix-1-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Simona Brown as Louise Barnsley and Tom Bateman as Dr. David Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Wiedemann praises the Cooke lenses for their technical qualities, as well as \u201cthe photographic character they give to the image,\u201d he said. \u201cFor this project, our main criterion was to find clarity of image. We looked at many full frame lenses, but we were blown away by the S7\/i\u2019s for both portraiture and wide shots.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Movietech, based at Pinewood Studios in the UK, supplied a full set of S7\/i lenses for the production, with the exception of the 65mm focal length which was just coming into production at the time of the shoot.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe were very lucky that Carey Duffy [Director of Sales, Europe] helped us out and lent us one of the first production models,\u201d said Wiedemann. \u201cThe field of view of the 65mm on Full Frame Alexa LF is pretty much the equivalent of a 40mm lens on a Super 35mm sized sensor. In the past the 40mm has always been my go-to lens for portraiture, so the 65mm was a hugely important lens for me on full frame and was used on most close-ups of the series.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_Netflix-5-LR.jpg?resize=1080%2C720&#038;ssl=1\" alt=\"Simona Brown as Louise Barnsley and Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-image-42413\"\/><figcaption class=\"wp-element-caption\">Simona Brown as Louise Barnsley and Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The production saw a wide variety of shooting conditions, with interiors\/exteriors and day and night shoots in London and the Highlands of Scotland, on location and in studio sets.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe S7\/i\u2019s dealt with every scenario really well,\u201d Wiedemann recounted. \u201cAs well as the precision of the lenses, they also had a photographic quality that elevated the image, whereas some other lenses seem more \u2018matter of fact.\u2019 This was important as the story goes into dreams and supernatural worlds as well as the real world, and they captured the nuances of the more expressionistic scenes without being heavy-handed\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/www.cookeoptics.com\/u\/news.html?open&amp;k=behind-her-eyes\" target=\"_blank\" rel=\"noreferrer noopener\">Cooke S7\/i Full Frame Plus Lenses Add Visual Clarity to Narrative Ambiguity in Behind Her Eyes (Cooke Optics)<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Eschewing the brooding, grainy cinematography of many thrillers, the filmmakers sought a natural look for <em>Behind her Eyes<\/em>, Wiedemann told <a href=\"https:\/\/definitionmagazine.com\/features\/good-clean-thrills\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lee Renwick<\/a> in an interview for <em>Definition Magazine<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIt\u2019s a psychological thriller, but also a character-driven drama,\u201d he said. \u201cWe questioned to what degree it should live in the dark, foreboding world you\u2019d expect \u2014 and how that would impact the audience. Ultimately, we settled on an image with real detail, clarity and naturalism.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The Arri Alexa LF\u2019s full-frame coverage, paired with the spherical Cooke S7\/i lenses, \u201creally played its part in helping us achieve exactly what we wanted,\u201d Wiedemann said.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cJust because the camera has a high pixel count, doesn\u2019t necessarily mean it looks displeasingly sharp. It felt like a really true, lifelike representation and a way to draw the audience in. We used many wide frames and they were so packed with detail, the gaze could really wander. In the close-ups, they revealed so much in the characters\u2019 eyes.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lighting for the series was also largely naturalistic, even while the practicalities of ensuring that varied across location interiors and exteriors and built sets.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-5-LR.jpg?resize=1080%2C720&#038;ssl=1\" alt=\"Robert Aramayo and Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-image-42405\"\/><figcaption class=\"wp-element-caption\">Robert Aramayo and Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cLighting was influenced by what we\u2019d naturally expect from the location, light sources and time of day,\u201d Wiedemann said. \u201cDavid and Adele\u2019s home, for example, looks like a catalogue \u2014 which forms a nice juxtaposition thematically with what\u2019s going on beneath the surface. That came down to allowing the windows to play and not stifling them.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Using an Arrimax 18K on a Genie boom, along with a rig of less powerful HMIs on a truss on the house\u2019s garden side, the crew created a sunlight effect, Wiedemann described:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cDavid\u2019s office was a set build, including a translight to mimic the space outside the windows, space lights for ambient daylight and a 24K tungsten sunlight equivalent. At the institute, we just made the most of the rare Scottish sunlight, and having the characters all in white gave the perception of a brighter image. There was also a lot of vibrant green that was absent at the London locations.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">In the absence of heavy textures and grains, colored filters, and other visual storytelling techniques, the filmmakers relied on editing and sound design to communicate mood or jumps in time. \u201cThen, of course, there were elements of cinematography that we did use in those more traditional thriller-genre ways, such as camera movement,\u201d Wiedemann said.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_Netflix-3-LR.jpg?resize=1080%2C720&#038;ssl=1\" alt=\"Tom Bateman as Dr. David Ferguson and Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-image-42411\"\/><figcaption class=\"wp-element-caption\">Tom Bateman as Dr. David Ferguson and Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Yet there are still a number of stylized moments in <em>Behind Her Eyes<\/em>, including a recurring voyeuristic angle, which became more obvious as episodes went by and its significance was revealed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe script read \u2018someone is watching\u2019, but how do you communicate that effectively? You can\u2019t give it away too early, so it\u2019s almost subconscious. It couldn\u2019t be too jarring, but it couldn\u2019t be lost on much of the audience, either,\u201d Wiedemann said, adding:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cThere was a lot of testing, but we settled on this high-angle shot that could move through the space when needed, zooming in on details of interest. We used a crane in a few cases, but mostly it was a dolly built up with pods. I was up there at about ceiling height and the key grip, Elliott Polley, would wheel me around the room as I zoomed in on singles, pulled out to two shots, or took the frame wherever else we wanted.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Another common thread throughout the series was the occurrence of dreams and nightmares, which offered \u201ca perfect opportunity to push the visuals into the extreme,\u201d Renwick writes. \u201cFrightful moments were taken into horror territory, while the dreams offered moments of mild respite, albeit surreal.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/BehindHerEyes_LimitedSeries_Episode4_00_47_26_16-LR.jpg?ssl=1\" alt=\"Robert Aramayo as Rob Hoyle in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-image-42408\"\/><figcaption class=\"wp-element-caption\">Robert Aramayo as Rob Hoyle in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Wiedemann explained to Renwick how the sequences were achieved:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cLouise\u2019s sequences in her mother\u2019s home were a set build, which the team painted a monochrome, sand-grey color. That immediately puts you in a strange space. Then, we flooded the whole set with a color to heighten that. When the corridor and rooms began to burn, there was a mix of SFX and VFX alongside that lighting.\u201d<\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Other visual effects included floating orbs of light, or \u201cshimmers,\u201d that appear late in the series \u201cto spectacular and story-altering effect,\u201d as Renwick notes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe closest collaboration between myself and the VFX team was in the creation of the shimmers,\u201d Wiedemann said. \u201cWe had puppeteers with LED spheres on poles, flying through the house emitting light. To get the effect we needed, they were moving these orbs through space, creating shadows and casting hues on the walls. Often, the puppeteers would have to be secured on the dolly, either side of camera.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cRemotely controlled LED orbs were created by gaffer Chris Georgas, in different sizes and light outputs based on a given shot. Some were even attached to drones for the sequence where they fly across the fields surrounding the home. After that physical capture, the VFX team turned those orbs into the shimmers you see in the show.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">READ MORE: <a href=\"https:\/\/definitionmagazine.com\/features\/good-clean-thrills\/\" target=\"_blank\" rel=\"noreferrer noopener\">Behind Her Eyes: Good, Clean Thrills (Definition Magazine)<\/a><\/h3>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Cinematographer Felix Wiedemann and Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42400\" data-id=\"42400\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Cinematographer Felix Wiedemann and Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Tom Bateman as Dr. David Ferguson and Simona Brown as Louise Barnsley in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42412\" data-id=\"42412\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_Netflix-4-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Tom Bateman as Dr. David Ferguson and Simona Brown as Louise Barnsley in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42407\" data-id=\"42407\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_Netflix-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Eve Hewson as Adele Ferguson in \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42404\" data-id=\"42404\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-4-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Eve Hewson on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Behind the scenes of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42403\" data-id=\"42403\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-3-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Behind the scenes of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img data-recalc-dims=\"1\" height=\"720\" width=\"1080\" decoding=\"async\" alt=\"Simona Brown and Tom Bateman on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix\" class=\"wp-block-jetpack-slideshow_image wp-image-42402\" data-id=\"42402\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/09\/Behind-Her-Eyes_BTS_Netflix-2-LR.jpg?resize=1080%2C720&#038;ssl=1\"\/><figcaption class=\"wp-block-jetpack-slideshow_caption gallery-caption\">Simona Brown and Tom Bateman on the set of \u201cBehind Her Eyes.\u201d Cr: Mark Mainz\/Netflix<\/figcaption><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cinematographer Felix Wiedemann uses the ARRI Alexa LF to create a naturalistic look for Netflix\u2019s hit psychological thriller series.<\/p>\n","protected":false},"author":2,"featured_media":42418,"menu_order":0,"template":"","meta":{"_acf_changed":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"categories":[248],"class_list":["post-42419","articles","type-articles","status-publish","has-post-thumbnail","hentry","category-amplify"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Making the Beautiful Creep-Out That\u2019s \u201cBehind Her Eyes\u201d | Jennifer Wolfe<\/title>\n<meta name=\"description\" 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