{"id":1115,"date":"2015-07-01T20:10:00","date_gmt":"2015-07-01T20:10:00","guid":{"rendered":"https:\/\/jwolfepr.com\/dev\/?p=1115"},"modified":"2024-09-01T16:44:22","modified_gmt":"2024-09-01T16:44:22","slug":"tangerine","status":"publish","type":"post","link":"https:\/\/jwolfepr.com\/dev\/tangerine\/","title":{"rendered":"‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone | DV Magazine"},"content":{"rendered":"
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Sean Baker’s ‘Tangerine.’<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Digital Video<\/em> magazine \u2014 July 2015
‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone<\/a><\/strong><\/p>\n\n\n\n

Indie filmmaker Sean Baker\u2019s Tangerine<\/em> made waves at this year\u2019s Sundance Film Festival with a couple of big surprises. The film, shot entirely with the Apple iPhone 5S, stars two transgender women of color with no previous acting experience. A Christmas Eve \u201codyssey\u201d through various Los Angeles subcultures with a decidedly gritty look and feel, the micro-budget feature was made for less than half the cost of Baker\u2019s previous film, the Independent Spirit Award-winning Starlet<\/em>, produced in 2012 for a mere $250,000. Picked up for distribution by Magnolia Pictures, Tangerine<\/em> is also the first film shot on a smartphone to secure a theatrical run.  (Read full story\u2026<\/a>)<\/p>\n\n\n\n

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