{"id":165901,"date":"2022-11-19T15:15:00","date_gmt":"2022-11-19T15:15:00","guid":{"rendered":"https:\/\/jwolfepr.com\/dev\/?p=165901"},"modified":"2024-09-01T02:14:22","modified_gmt":"2024-09-01T02:14:22","slug":"a-brief-voyage-through-the-history-of-virtual-production-nab-amplify","status":"publish","type":"post","link":"https:\/\/jwolfepr.com\/dev\/a-brief-voyage-through-the-history-of-virtual-production-nab-amplify\/","title":{"rendered":"A Brief Voyage Through the History of Virtual Production | NAB Amplify"},"content":{"rendered":"\n
\"From
From Season 2 of \u201cThe Mandalorian.\u201d Cr: Disney<\/figcaption><\/figure>\n\n\n\n

NAB Amplify<\/em> \u2014 November 1, 2022
A Brief Voyage Through the History of Virtual Production<\/strong><\/a><\/p>\n\n\n\n

While virtual production is definitely having a \u201cmoment\u201d in Hollywood and beyond, VP technologies and techniques have by no means just appeared overnight, cinematographer Neil Oseman<\/a> observes in a recent blog post. The use of LED walls and LED volumes \u2014 a major component of virtual production \u2014 can be traced directly back to the front- and rear-projection techniques common throughout much of the 20th century, he notes.<\/p>\n\n\n\n

Oseman takes readers on a trip through the history of virtual production from its roots in mid-20th century films like North by Northwest<\/em> to cutting-edge shows like Disney\u2019s streaming hit, The Mandalorian<\/em>. Along the way, he revisits the \u201cLED Box\u201d director of photography Emmanuel Lubezki conceived for 2013\u2019s VFX Academy Award-winner Gravity<\/em>, the hybrid green screen\/LED screen setups used to capture driving sequences for Netflix\u2019s House of Cards<\/em>, and the high-resolution projectors employed by DP Claudio Miranda on the 2013 sci-fi feature Oblivion<\/em>.<\/p>\n\n\n\n

<\/div>\n\n\n\n
\n