{"id":166155,"date":"2021-12-29T16:26:00","date_gmt":"2021-12-29T16:26:00","guid":{"rendered":"https:\/\/jwolfepr.com\/dev\/?p=166155"},"modified":"2024-08-20T22:02:19","modified_gmt":"2024-08-20T22:02:19","slug":"back-to-the-outback-the-netflix-animated-feature-embraces-the-beauty-of-our-differences-indiewire","status":"publish","type":"post","link":"https:\/\/jwolfepr.com\/dev\/back-to-the-outback-the-netflix-animated-feature-embraces-the-beauty-of-our-differences-indiewire\/","title":{"rendered":"\u2018Back to the Outback\u2019: The Netflix Animated Feature Embraces the Beauty of Our Differences | IndieWire"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" data-attachment-id=\"166158\" data-permalink=\"https:\/\/jwolfepr.com\/dev\/back-to-the-outback-the-netflix-animated-feature-embraces-the-beauty-of-our-differences-indiewire\/fli2_fin_v001_combo_20210108\/\" data-orig-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?fit=1200%2C675&amp;ssl=1\" data-orig-size=\"1200,675\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"FLI2_Fin_v001_Combo_20210108\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8220;Back to the Outback&amp;#8221; Netflix&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?fit=1024%2C576&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=1024%2C576&#038;ssl=1\" alt=\"&quot;Back to the Outback&quot; Netflix\" class=\"wp-image-166158\" srcset=\"https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=1024%2C576&amp;ssl=1 1024w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=768%2C432&amp;ssl=1 768w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=640%2C360&amp;ssl=1 640w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=750%2C422&amp;ssl=1 750w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=400%2C225&amp;ssl=1 400w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=430%2C242&amp;ssl=1 430w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=150%2C84&amp;ssl=1 150w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?resize=100%2C56&amp;ssl=1 100w, https:\/\/i0.wp.com\/jwolfepr.com\/dev\/wp-content\/uploads\/2024\/08\/FLI2_Fin_v001_Combo_20210108.webp?w=1200&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><figcaption class=\"wp-element-caption\">&#8220;Back to the Outback&#8221; Netflix<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><em>IndieWire<\/em> \u2014 December 29, 2021<br><strong><a href=\"https:\/\/www.indiewire.com\/awards\/industry\/back-to-the-outback-animated-feature-netflix-1234686896\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Back to the Outback\u2019: The Netflix Animated Feature Embraces the Beauty of Our Differences<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A band of misfits come together to find a home where they\u2019ll be accepted in&nbsp;<a href=\"https:\/\/www.indiewire.com\/t\/netflix\/\">Netflix<\/a>\u2019s latest CG-animated adventure, \u201cBack to the Outback.\u201d Except the lovable outcasts here happen to be among the world\u2019s deadliest creatures, all of whom \u2014 along with a cute but completely obnoxious koala bear (voiced by Broadway\u2019s Tim Minchin) \u2014 escape from a Sydney zoo to find a home in the Australian Outback, where they\u2019ll be loved for who they are and not feared for what they look like.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">First-time feature directors Clare Knight and Harry Cripps previously worked together on \u201cLarrikins,\u201d the Outback-themed feature from DreamWorks Animation that was scuttled in the wake of the studio\u2019s acquisition by NBCUniversal in 2016. Cripps was set to co-direct the film alongside \u201cPuss in Boots\u201d director Chris Miller, while Knight, a DWA veteran who had worked on the \u201cKung Fu Panda\u201d trilogy, was to serve as editor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c\u2019Larrikins\u2019 had focused on the cute animals, and so I didn\u2019t want to go back down that same road,\u201d Cripps said. \u201cI went to the dark side.\u201d (<em><a href=\"https:\/\/www.indiewire.com\/awards\/industry\/back-to-the-outback-animated-feature-netflix-1234686896\/\" target=\"_blank\" rel=\"noreferrer noopener\">Read full story&#8230;<\/a><\/em>)<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Back to the Outback | Official Trailer | Netflix\" width=\"500\" 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