{"id":2983,"date":"2018-10-09T16:50:59","date_gmt":"2018-10-09T16:50:59","guid":{"rendered":"https:\/\/jwolfepr.com\/dev\/?p=2983"},"modified":"2024-09-01T15:48:41","modified_gmt":"2024-09-01T15:48:41","slug":"breaking-the-glass-frame-celebrates-diversity-seeks-strategies","status":"publish","type":"post","link":"https:\/\/jwolfepr.com\/dev\/breaking-the-glass-frame-celebrates-diversity-seeks-strategies\/","title":{"rendered":"\u2018Breaking the Glass Frame\u2019 Celebrates Diversity, Seeks Strategies | ANIMATIONWorld"},"content":{"rendered":"\n
\"Courtyard
Courtyard of the USC School of Cinematic Arts. Image courtesy of Breaking the Glass Frame.<\/em><\/figcaption><\/figure>\n\n\n\n

AnimationWorld Magazine<\/em> \u2014 October 9, 2018
\u2018Breaking the Glass Frame\u2019 Celebrates Diversity, Seeks Strategies<\/strong><\/a><\/p>\n\n\n\n

This past weekend animators, students and educators gathered at the USC School of Cinematic Arts for Breaking the Glass Frame: Women and Animation, Past, Present, Future<\/a><\/em>, a three-day symposium spotlighting female contributions to the field of animation and exploring solutions to sexual harassment, bias, and lack of diversity that challenge women, people of color, and those in the LGBTQ+ community working within the industry and academia.<\/p>\n\n\n\n

Presented by USC in partnership with UCLA, CalArts & Women in Animation, the symposium kicked off on Saturday with a keynote address delivered by Oscar-winning director Brenda Chapman, who shared her story about her education and early years as an entry-level cleanup artist, before breaking into story and becoming the first woman to direct an animated feature from a major studio, DreamWorks Animation\u2019s The Prince of Egypt<\/em>. Chapman also recounted her experiences working on Pixar\u2019s Brave<\/em>, including how she was removed from the project a year before its release but fought to retain credit on the film, becoming the first woman to win an Academy Award for Best Animated Feature.<\/p>\n\n\n\n

\u201cIt was the hardest rejection of my life,\u201d Chapman said. \u201cIt wasn\u2019t pretty, and if I hadn\u2019t fought back I wouldn\u2019t have received credit on my own film.\u201d<\/p>\n\n\n\n

(Read more at AnimationWorld Magazine<\/em>…<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"

Three-day symposium spotlighting female contributions to the field of animation and exploring solutions to sexual harassment, bias, and lack of diversity within the industry calls for heightened awareness of and increased empowerment for women, people of color, and those in the LGBTQ+ 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