Exxact & NVIDIA Omniverse Enterprise: A New Era in Entertainment Production | Animation World Network
Uncover the power of OpenUSD and NVIDIA Omniverse Enterprise in revolutionizing the Media & Entertainment (M&E) landscape.
FEATURED PROJECTS
These featured projects highlight a diverse range of work stretching across my career, spanning white papers, video interviews, and dozens of articles written for leading trade publications including American Cinematographer, DV Magazine, IndieWire, Variety, and more. Each project showcases my expertise in visual storytelling, creative post production, and digital content strategy, demonstrating my ability to adapt to the needs of different audiences and evolving industry trends.
NextGen TV: Using the Lighthouse Model to Make the Transition to ATSC 3.0 | NAB Amplify
Skip Pizzi, a key developer of the ATSC 3.0 digital TV standard, describes the ongoing transition to NextGen TV using the lighthouse model.
Top 10 Tech Tools @ SIGGRAPH | Animation Magazine
From Adobe through Vicon, Animation Magazine has rounded up details on what attendees can expect from developers at SIGGRAPH 2019. Here are 11 of the hottest technologies in the spotlight at…
Delve into the Making of Blender Short, ‘Cosmos Laundromat’ | ANIMATIONWorld
Learn 10 things about open-source Blender technology and Project Gooseberry in the making of the Blender Foundation’s ‘Cosmos Laundromat – First Cycle.’
Disney’s ‘Inner Workings’ | ANIMATIONWorld
Disney’s latest short film uses in-house interpolation software Meander to combine traditional hand-drawn 2D animation with CG technology for a delightful look at the “inner workings” of the typical office…
‘Mapplethorpe: Look at the Pictures’ Follows the Photographer’s Gaze | DV Magazine
Editor Langdon F. Page and co-editor Francy Kachler used Avid Media Composer to assemble 'Mapplethorpe: Look at the Pictures,' the documentary feature from directors Fenton Bailey & Randy Barbato.
2016 Academy VFX Bake-off: 10 Oscar Hopefuls Vie for Nominations | VFXWorld
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars:…
‘Grace and Frankie’: Capturing the Netflix Series: Friends, Family and 4K | DV Magazine
Director of photography Gale Tattersall employed the RED Dragon digital cinema camera to capture footage in 5K for the Netflix series.
‘The Punk Singer’: Tracing the Trajectory of Riot Grrrl Kathleen Hanna | DV Magazine
With virtually no budget, production of "The Punk Singer" was achieved largely through donations of equipment and expertise. Interviews and b-roll footage were captured using a combination of Panasonic AG…
Innovation Invasion: How ‘The Walking Dead’ Extends Across Audiences and Screens | Video Edge magazine
AMC ramps up for season four of 'The Walking Dead' with a three-episode web series and bite-sized servings of second-screen content.
Live from Outside Lands | Video Edge magazine
How Springboard Productions Streamed the San Francisco Music and Arts Festival.
Katy Perry “Roar” Lyric Video | Video Edge magazine
Mobile messaging for Katy Perry's "Roar" lyric video.
The Volt Plasma Challenge | American Cinematographer
Directed by Mo Twine and shot by cinematographer Eric Koretz, the latest 30-second spot for the Chevy Volt, “The Volt Plasma Challenge,” emphasizes the hybrid electric car’s reputation for a…
Elements of Style: Producing the Popular Web Series ‘Put This On’ | DV Magazine
Shot primarily on the Canon EOS 7D, "Put This On" offers sartorial wisdom and guidance on men’s classic style with gentle wit, genuine knowledge and passion.
2012 Digital Video All Stars | DV Magazine
The Digital Video All Star Awards are presented yearly to a select group of individuals or filmmaking teams. This year's recipients include Cristina Valdivieso and Jon Connor, Tom Guilmette, Shane…