Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated “secretprojectrevolution” is elaborately lit and heavily stylized, with a stark set designed by photographer Steven Klein and lit by cinematographer David Devlin.
Production of the music video for Brooklyn-based duo Exitmusic’s “White Noise,” directed by Monica Perez and shot by cinematographer James Laxton.
Mobile messaging for Katy Perry’s “Roar” lyric video.
The music video is celebrated as an art form in the exhibition, “Spectacle: The Music Video,” at the Museum of the Moving Image in New York.
The music video for Marilyn Manson’s “Slo-Mo-Tion,” directed by Manson and shot by Alan Lasky, utilizes motion effects captured in-camera to create a dynamic look that pushes the boundaries of digital cinematography.
Celebrated illustrator, photographer and director Matt Mahurin’s collaboration with Tom Waits on the video for “Hell Broke Luce” has a handcrafted feel and level of authenticity that can only be achieved by a solo practitioner.