Top 10 Tech Tools @ SIGGRAPH
From Adobe through Vicon, Animation Magazine has rounded up details on what attendees can expect from developers at SIGGRAPH 2019. Here are 11 of the hottest technologies in the spotlight at this year’s show.
From Adobe through Vicon, Animation Magazine has rounded up details on what attendees can expect from developers at SIGGRAPH 2019. Here are 11 of the hottest technologies in the spotlight at this year’s show.
Learn 10 things about open-source Blender technology and Project Gooseberry in the making of the Blender Foundation’s ‘Cosmos Laundromat – First Cycle.’
Disney’s latest short film uses in-house interpolation software Meander to combine traditional hand-drawn 2D animation with CG technology for a delightful look at the “inner workings” of the typical office staffer.
Editor Langdon F. Page and co-editor Francy Kachler used Avid Media Composer to assemble ‘Mapplethorpe: Look at the Pictures,’ the documentary feature from directors Fenton Bailey & Randy Barbato.
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’
Director of photography Gale Tattersall employed the RED Dragon digital cinema camera to capture footage in 5K for the Netflix series.
With virtually no budget, production of “The Punk Singer” was achieved largely through donations of equipment and expertise. Interviews and b-roll footage were captured using a combination of Panasonic AG HVX200 and HPX170 cameras outfitted with Letus adapters and a set of Zeiss compact prime lenses.
AMC ramps up for season four of ‘The Walking Dead’ with a three-episode web series and bite-sized servings of second-screen content.
How Springboard Productions Streamed the San Francisco Music and Arts Festival.
Mobile messaging for Katy Perry’s “Roar” lyric video.
Directed by Mo Twine and shot by cinematographer Eric Koretz, the latest 30-second spot for the Chevy Volt, “The Volt Plasma Challenge,” emphasizes the hybrid electric car’s reputation for a light ecological footprint. Conceived as a showcase for Hive Lighting’s Plasma fixtures, the ad was lit with instruments powered only by batteries and a single, lightweight, 60-amp generator.
Shot primarily on the Canon EOS 7D, “Put This On” offers sartorial wisdom and guidance on men’s classic style with gentle wit, genuine knowledge and passion.
The Digital Video All Star Awards are presented yearly to a select group of individuals or filmmaking teams. This year’s recipients include Cristina Valdivieso and Jon Connor, Tom Guilmette, Shane Hurlbut, ASC, Vincent Laforet, Tom Lowe, Patrick Moreau and Kevin Shahinian.