Jennifer Wolfe

Los Angeles-based writer and PR professional specializing in Media & Entertainment

VFX Supervisor Andy Whitehurst presented the visual effects for Ex Machina, a film centered around a young programmer’s evaluation of a female android, with VFX provided by Double Negative, Milk VFX and Utopia.

2016 Academy VFX Bake-off: 10 Oscar Hopefuls Vie for Nominations

Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars: The Force Awakens,’ ‘Tomorrowland’ and ‘The Walk.’

'The Punk Singer,' directed by Sini Anderson.

‘The Punk Singer’: Tracing the Trajectory of Riot Grrrl Kathleen Hanna

With virtually no budget, production of “The Punk Singer” was achieved largely through donations of equipment and expertise. Interviews and b-roll footage were captured using a combination of Panasonic AG HVX200 and HPX170 cameras outfitted with Letus adapters and a set of Zeiss compact prime lenses.

The Volt Plasma Challenge

The Volt Plasma Challenge

Directed by Mo Twine and shot by cinematographer Eric Koretz, the latest 30-second spot for the Chevy Volt, “The Volt Plasma Challenge,” emphasizes the hybrid electric car’s reputation for a light ecological footprint. Conceived as a showcase for Hive Lighting’s Plasma fixtures, the ad was lit with instruments powered only by batteries and a single, lightweight, 60-amp generator.