‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone | DV Magazine
Shot entirely with the Apple iPhone 5S, Sean Baker’s micro-budget feature 'Tangerine' is a Christmas Eve odyssey through various Los Angeles subcultures.
FEATURED PROJECTS
These featured projects highlight a diverse range of work stretching across my career, spanning white papers, video interviews, and dozens of articles written for leading trade publications including American Cinematographer, DV Magazine, IndieWire, Variety, and more. Each project showcases my expertise in visual storytelling, creative post production, and digital content strategy, demonstrating my ability to adapt to the needs of different audiences and evolving industry trends.
“12 Angry Men Inside Amy Schumer” | DV Magazine
Shot by series director of photography Jonathan Furmanski, the 22-minute comedic sketch has been heralded as not only a send-up of the types of misogynistic vitriol famous women face, but…
‘Grace and Frankie’: Capturing the Netflix Series: Friends, Family and 4K | DV Magazine
Director of photography Gale Tattersall employed the RED Dragon digital cinema camera to capture footage in 5K for the Netflix series.
Irascible, Irrepressible Iris: Inside the Affectionate Documentary from Albert Maysles | DV Magazine
Beloved documentary filmmaker Albert Maysles passed away in his home in New York on March 5, at the age of 88, prompting an outpouring of mourning and affection from filmmakers…
Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine
Award-winning cinematographer Thierry Arbogast selects the Sony CineAlta F65 digital camera to capture Super 35 widescreen footage for sci-fi feature "Lucy."
Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine
Cinematographer Neville Kidd shot eight installments of the first 16-episode season using up to three ARRI Alexa Plus High Speed cameras outfitted with Cooke Prime and ARRI/FUJINON Alura Zoom lenses.
Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine
Cinematographer Jay Harper taps the ARRI Alexa to capture footage for IFC’s satirical and saucy new series "Garfunkel and Oates."
‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine
Tomas Leach's documentary "In No Great Hurry: 13 Lessons In Life With Saul Leiter" is a tender and intimate portrait of the photographer and painter considered to be a pioneer…
A Visit to ‘Broad City’ | DV Magazine
Cinematographer Steve Calitri employed two ARRI Alexa Plus cameras outfitted with Angenieux Optimo zoom and Cooke S4 prime lenses to capture footage for "Broad City."
‘Spoils of Babylon’: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine
Cinematographer Giles Dunning collaborated closely with executive producer Matt Piedmont and production designer Mark Snelgrove to create distinct looks for IFC‘s miniseries parody, "The Spoils of Babylon," that nonetheless remain…
Madonna and Steven Klein Produce Revolutionary New Short for Art For Freedom | DV Magazine
Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated "secretprojectrevolution" is elaborately lit and heavily stylized, with a stark set designed by photographer…
Documenting Social Change and Cultural Shifts: Global Production Challenges on MTV World’s ‘Rebel Music’ | DV Magazine
for MTVu’s new MTV World documentary series, "Rebel Music," director of photography Mikhail Galustov employs the Canon C300 digital cinema camera for hand-held shooting and low-light situations.
‘The Punk Singer’: Tracing the Trajectory of Riot Grrrl Kathleen Hanna | DV Magazine
With virtually no budget, production of "The Punk Singer" was achieved largely through donations of equipment and expertise. Interviews and b-roll footage were captured using a combination of Panasonic AG…
ASC Harris Savides Student Heritage Award Winners | American Cinematographer
The ASC presented Harris Savides Heritage Awards to three student cinematographers from Chapman University’s Dodge College of Film and Media Arts during an awards ceremony at the Clubhouse in June, Ryan Broomberg for…
Exitmusic’s “White Noise” | American Cinematographer
Production of the music video for Brooklyn-based duo Exitmusic's "White Noise," directed by Monica Perez and shot by cinematographer James Laxton.
‘Anna Nicole’ Director Mary Harron and the Balance Between Exploration and Exploitation | DV Magazine
Lifetime feature Anna Nicole, which aired on the cable channel toward the end of June, attracted as much attention for its director – Canada’s Mary Harron – as it did…
Wild Horses | American Cinematographer
Insights from cinematographer Robert Richardson, ASC about his work on the short film 'Wild Horses,' directed and co-written by Stephanie Martin as part of the AFI Directing Workshop for Women…
Neighborhood Watch: Su Friedrich Follows the Evolution (and Devolution) of Brooklyn for ‘Gut Renovation’ | DV Magazine
Documentary feature "Gut Renovation," by independent filmmaker Su Friedrich and co-writer Cathy Quinlan, records Williamsburg, New York's transformation from an artists’ refuge to the sleek and moneyed hipster paradise it…