DV Magazine Archives | Jennifer Wolfe

Baz Luhrmann’s musical drama series created for Netflix, ‘The Get Down,’ chronicles the origins of hip-hop in the late 1970s set against a disco-infused backdrop of the South Bronx.

‘The Get Down’: How the Netflix Series Recounts the Birth of Hip-Hop

September 1, 2016

Baz Luhrmann’s musical drama series created for Netflix, ‘The Get Down,’ chronicles the origins of hip-hop in the late 1970s set against a disco-infused backdrop of the South Bronx.

Maria Bamford’s semi-autobiographical comedy series for Netflix, ‘Lady Dynamite.’

Past and Present Intertwine In ‘Lady Dynamite’ | DV Magazine

August 1, 2016

Shot with the Sony F65 CineAlta, Maria Bamford’s semi-autobiographical comedy series for Netflix, ‘Lady Dynamite,’ is as weird as it is wonderful.

Portrait of the Artist as a Young Woman | DV Magazine

July 1, 2016

Documentary feature "Eva Hesse" follows the life of the pioneering mid-20th century artist from her escape from Nazi Germany at age two to her emphatic break with Minimalism, followed by…

Adapting Jane Austen’s early novella “Lady Susan,” Whit Stillman directs ‘Love & Friendship’ for Amazon Studios.

Sensors & Sensibility: Achieving the Luminous Glow of Whit Stillman’s ‘Love & Friendship’ | DV Magazine

June 1, 2016

Adapting Jane Austen’s early novella “Lady Susan,” Whit Stillman directs ‘Love & Friendship’ for Amazon Studios.

‘Mapplethorpe: Look at the Pictures’ Follows the Photographer’s Gaze | DV Magazine

May 1, 2016

Editor Langdon F. Page and co-editor Francy Kachler used Avid Media Composer to assemble 'Mapplethorpe: Look at the Pictures,' the documentary feature from directors Fenton Bailey & Randy Barbato.

‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone | DV Magazine

July 1, 2015

Shot entirely with the Apple iPhone 5S, Sean Baker’s micro-budget feature 'Tangerine' is a Christmas Eve odyssey through various Los Angeles subcultures.

“12 Angry Men Inside Amy Schumer” | DV Magazine

July 1, 2015

Shot by series director of photography Jonathan Furmanski, the 22-minute comedic sketch has been heralded as not only a send-up of the types of misogynistic vitriol famous women face, but…

‘Grace and Frankie’: Capturing the Netflix Series: Friends, Family and 4K | DV Magazine

June 1, 2015

Director of photography Gale Tattersall employed the RED Dragon digital cinema camera to capture footage in 5K for the Netflix series.

Irascible, Irrepressible Iris: Inside the Affectionate Documentary from Albert Maysles | DV Magazine

April 1, 2015

Beloved documentary filmmaker Albert Maysles passed away in his home in New York on March 5, at the age of 88, prompting an outpouring of mourning and affection from filmmakers…

Grande Dames: Documenting Street Style for ‘Advanced Style’ | DV Magazine

December 1, 2014

Director and cinematographer Lina Plioplyte’s new documentary feature, 'Advanced Style The Movie,' is the story behind the fashion blog of the same name that became an international phenomenon.

Writer/director Luc Besson directs Scarlett Johansson in 'Lucy,' an action-thriller that examines the possibility of what one human could truly do if she unlocked 100 percent of her brain capacity and accessed the furthest reaches of her mind.

Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine

October 1, 2014

Award-winning cinematographer Thierry Arbogast selects the Sony CineAlta F65 digital camera to capture Super 35 widescreen footage for sci-fi feature "Lucy."

Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine

September 1, 2014

Cinematographer Neville Kidd shot eight installments of the first 16-episode season using up to three ARRI Alexa Plus High Speed cameras outfitted with Cooke Prime and ARRI/FUJINON Alura Zoom lenses.

Comedy-folk duo Riki Lindhome and Kate Micucci in IFC's "Garfunkel and Oates."

Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine

September 1, 2014

Cinematographer Jay Harper taps the ARRI Alexa to capture footage for IFC’s satirical and saucy new series "Garfunkel and Oates."

"In No Great Hurry: 13 Lessons In Life With Saul Leiter"

‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine

April 1, 2014

Tomas Leach's documentary "In No Great Hurry: 13 Lessons In Life With Saul Leiter" is a tender and intimate portrait of the photographer and painter considered to be a pioneer…

A Visit to ‘Broad City’ | DV Magazine

March 1, 2014

Cinematographer Steve Calitri employed two ARRI Alexa Plus cameras outfitted with Angenieux Optimo zoom and Cooke S4 prime lenses to capture footage for "Broad City."

Devon Morehouse (Tobey Maguire) in "Spoils of Babylon."

‘Spoils of Babylon’: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine

January 1, 2014

Cinematographer Giles Dunning collaborated closely with executive producer Matt Piedmont and production designer Mark Snelgrove to create distinct looks for IFC‘s miniseries parody, "The Spoils of Babylon," that nonetheless remain…

Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated "secretprojectrevolution" is elaborately lit and heavily stylized, with a stark set designed by photographer Steven Klein and lit by cinematographer David Devlin.

Madonna and Steven Klein Produce Revolutionary New Short for Art For Freedom | DV Magazine

January 1, 2014

Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated "secretprojectrevolution" is elaborately lit and heavily stylized, with a stark set designed by photographer…

Scene from the "Egypt" episode of MTVu’s new MTV World documentary series, "Rebel Music."

Documenting Social Change and Cultural Shifts: Global Production Challenges on MTV World’s ‘Rebel Music’ | DV Magazine

January 1, 2014

for MTVu’s new MTV World documentary series, "Rebel Music," director of photography Mikhail Galustov employs the Canon C300 digital cinema camera for hand-held shooting and low-light situations.

JENNIFER WOLFE

FEATURED PROJECTS

‘The Get Down’: How the Netflix Series Recounts the Birth of Hip-Hop

Past and Present Intertwine In ‘Lady Dynamite’ | DV Magazine

Portrait of the Artist as a Young Woman | DV Magazine

Sensors & Sensibility: Achieving the Luminous Glow of Whit Stillman’s ‘Love & Friendship’ | DV Magazine

‘Mapplethorpe: Look at the Pictures’ Follows the Photographer’s Gaze | DV Magazine

‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone | DV Magazine

“12 Angry Men Inside Amy Schumer” | DV Magazine

‘Grace and Frankie’: Capturing the Netflix Series: Friends, Family and 4K | DV Magazine

Irascible, Irrepressible Iris: Inside the Affectionate Documentary from Albert Maysles | DV Magazine

Grande Dames: Documenting Street Style for ‘Advanced Style’ | DV Magazine

Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine

Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine

Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine

‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine

A Visit to ‘Broad City’ | DV Magazine

‘Spoils of Babylon’: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine

Madonna and Steven Klein Produce Revolutionary New Short for Art For Freedom | DV Magazine

Documenting Social Change and Cultural Shifts: Global Production Challenges on MTV World’s ‘Rebel Music’ | DV Magazine