interviews Archives | Page 8 of 9

Pure Imagination: The Mind and Methodology of Digital Artist Kurtis Hough | DV Magazine

June 1, 2013

Set to music from Canadian trio A Silver Mt. Zion, the experimental time-lapse filmmaker's elegiac "Stumble then rise" is completely 3D animated, with elements created in Autodesk 3ds Max and…

The Volt Plasma Challenge | American Cinematographer

June 1, 2013

Directed by Mo Twine and shot by cinematographer Eric Koretz, the latest 30-second spot for the Chevy Volt, “The Volt Plasma Challenge,” emphasizes the hybrid electric car’s reputation for a…

Grizzly Bear: "Ready, Able" (2009). Directed by Allison Schulnik. Part of the exhibition "Spectacle: The Music Video" on view at Museum of the Moving Image, April 3-June 16, 2013. Image courtesy of Contemporary Arts Center.

‘Spectacle: The Music Video:’ Assembling the Innovative Interactive Museum Exhibit | DV Magazine

June 1, 2013

The music video is celebrated as an art form in the exhibition, "Spectacle: The Music Video," at the Museum of the Moving Image in New York.

"Black Rock," directed by director Katie Aselton and shot by Hillary Spera.

‘Black Rock:’ Hillary Spera Shoots Katie Aselton’s Taut Thriller | DV Magazine

June 1, 2013

Filmed on location off the rugged and desolate coast of Maine, "Black Rock" was conceived and directed by “mumblecore” director Katie Aselton. Shot by cinematographer Hillary Spera, the film interplays beautiful imagery…

Cinema History and Mystery: Seeing ‘The Shining’ From Every Angle in ‘Room 237’ | DV Magazine

May 1, 2013

In a deconstruction of Kubrick’s still-controversial Stephen King adaptation, director Rodney Ascher’s conspiracy documentary "Room 237" evokes the Kuleshov Effect, exploring five of the most widely-addressed theories via interviews with…

‘Brief Encounters:’ Capturing the Cinematic Sensibility of Gregory Crewdson | DV Magazine

March 1, 2013

Shot over the past decade by director and cinematographer Ben Shapiro, "Gregory Crewdson: Brief Encounters" is a methodically rendered portrait of the acclaimed photographer’s work and process.

The Art of the Mini-Movie: ‘Kroll Show’ Sketches Are Each Shot as Short Features | DV Magazine

March 1, 2013

"Kroll Show" series DP Christian Sprenger, known for his parodies of Levis ads as well as his work on Adult Swim series "Eagleheart," matches an enormous appreciation for sketch comedy…

Elements of Style: Producing the Popular Web Series ‘Put This On’ | DV Magazine

March 1, 2013

Shot primarily on the Canon EOS 7D, "Put This On" offers sartorial wisdom and guidance on men’s classic style with gentle wit, genuine knowledge and passion.

Marilyn Manson “Slo-Mo-Tion” | American Cinematographer

February 1, 2013

The music video for Marilyn Manson’s “Slo-Mo-Tion,” directed by Manson and shot by Alan Lasky, utilizes motion effects captured in-camera to create a dynamic look that pushes the boundaries of…

Punk Rock Protest: Tracing the Trials of Russian Band Pussy Riot | DV Magazine

February 1, 2013

A punk pastiche, "Pussy Riot — A Punk Prayer" incorporates footage from Russian news agencies along with material captured with mobile phones and handheld cameras as well as stabilized DSLR…

Birds of a Feather: Iconoclasts Albert Maysles and Iris Apfel Team on Documentary | DV Magazine

January 1, 2013

One of the forerunners of cinéma vérité’s North American cousin, direct cinema, Albert Maysles was first drawn to film Iris Apfel by a close-up photo that ran as a full…

RED Epic at Red Rocks: Capturing the Mumford & Sons Concert Film | DV Magazine

January 1, 2013

Cinematographer Giles Dunning chose RED Epic cameras outfitted with Canon L-Series and Angenieux Optimo zoom lenses to capture live concert footage for "The Road to Red Rocks" concert film for…

‘The Mindy Project:’ Making A Modern-Day Rom-Com | DV Magazine

November 1, 2012

Director of photography Marco Fargnoli employs Arri Alexa digital cameras outfitted with Panavision’s new lightweight 19:90 and 7:200 zoom lenses for Mindy Kaling's biting single-camera comedy "The Mindy Project."

Honeymoon Hangover: ‘Husbands’ | DV Magazine

November 1, 2012

Interview with cinematographer Benjamin Kantor on production for season two of hit web series, "Husbands," which has the distinction of being both the first online series to be reviewed in…

‘Hell Broke Luce:’ Bringing Tom Waits’ Apocalyptic War Dream to Life | DV Magazine

November 1, 2012

Celebrated illustrator, photographer and director Matt Mahurin's collaboration with Tom Waits on the video for “Hell Broke Luce” has a handcrafted feel and level of authenticity that can only be…

‘West of Memphis:’ Chronicling the Case in Amy Berg’s Cinematic Documentary | DV Magazine

November 1, 2012

Produced by filmmaking team Peter Jackson and Fran Walsh, and directed by documentary filmmaker Amy Berg, "West of Memphis" was shot by DPs Maryse Alberti and Ronan Kileen with a…

Performance, Perspective, Production: Crafting ‘Marina Abramović The Artist Is Present’ | DV Magazine

September 1, 2012

Leading up to her celebrated 2010 retrospective at the New York Museum of Modern Art, first-time director Matthew Akers followed Abramović for 10 months, documenting her life relentlessly.

Documenting Dissidence: Alison Klayman Directs ‘Ai Weiwei: Never Sorry’ | DV Magazine

September 1, 2012

Director and cinematographer Alison Klayman gained an incredible level of access for "Ai Weiwei: Never Sorry," documenting the celebrated artist’s activities over the past several years, during which time government…

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FEATURED PROJECTS

Pure Imagination: The Mind and Methodology of Digital Artist Kurtis Hough | DV Magazine

The Volt Plasma Challenge | American Cinematographer

‘Spectacle: The Music Video:’ Assembling the Innovative Interactive Museum Exhibit | DV Magazine

‘Black Rock:’ Hillary Spera Shoots Katie Aselton’s Taut Thriller | DV Magazine

Cinema History and Mystery: Seeing ‘The Shining’ From Every Angle in ‘Room 237’ | DV Magazine

‘Brief Encounters:’ Capturing the Cinematic Sensibility of Gregory Crewdson | DV Magazine

The Art of the Mini-Movie: ‘Kroll Show’ Sketches Are Each Shot as Short Features | DV Magazine

Elements of Style: Producing the Popular Web Series ‘Put This On’ | DV Magazine

Marilyn Manson “Slo-Mo-Tion” | American Cinematographer

Punk Rock Protest: Tracing the Trials of Russian Band Pussy Riot | DV Magazine

Birds of a Feather: Iconoclasts Albert Maysles and Iris Apfel Team on Documentary | DV Magazine

RED Epic at Red Rocks: Capturing the Mumford & Sons Concert Film | DV Magazine

‘The Mindy Project:’ Making A Modern-Day Rom-Com | DV Magazine

Honeymoon Hangover: ‘Husbands’ | DV Magazine

‘Hell Broke Luce:’ Bringing Tom Waits’ Apocalyptic War Dream to Life | DV Magazine

‘West of Memphis:’ Chronicling the Case in Amy Berg’s Cinematic Documentary | DV Magazine

Performance, Perspective, Production: Crafting ‘Marina Abramović The Artist Is Present’ | DV Magazine

Documenting Dissidence: Alison Klayman Directs ‘Ai Weiwei: Never Sorry’ | DV Magazine