interviews Archives | Page 7 of 9

Don Hall and Chris Williams Talk Disney’s ‘Big Hero 6’ | ANIMATIONWorld

November 8, 2014

Co-directors of Disney's most technologically advanced film to date discuss production challenges, creating a robot that learns, and Hyperion, the studio's new global-illumination rendering system.

Writer/director Luc Besson directs Scarlett Johansson in 'Lucy,' an action-thriller that examines the possibility of what one human could truly do if she unlocked 100 percent of her brain capacity and accessed the furthest reaches of her mind.

Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine

October 1, 2014

Award-winning cinematographer Thierry Arbogast selects the Sony CineAlta F65 digital camera to capture Super 35 widescreen footage for sci-fi feature "Lucy."

Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine

September 1, 2014

Cinematographer Neville Kidd shot eight installments of the first 16-episode season using up to three ARRI Alexa Plus High Speed cameras outfitted with Cooke Prime and ARRI/FUJINON Alura Zoom lenses.

Comedy-folk duo Riki Lindhome and Kate Micucci in IFC's "Garfunkel and Oates."

Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine

September 1, 2014

Cinematographer Jay Harper taps the ARRI Alexa to capture footage for IFC’s satirical and saucy new series "Garfunkel and Oates."

"In No Great Hurry: 13 Lessons In Life With Saul Leiter"

‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine

April 1, 2014

Tomas Leach's documentary "In No Great Hurry: 13 Lessons In Life With Saul Leiter" is a tender and intimate portrait of the photographer and painter considered to be a pioneer…

A Visit to ‘Broad City’ | DV Magazine

March 1, 2014

Cinematographer Steve Calitri employed two ARRI Alexa Plus cameras outfitted with Angenieux Optimo zoom and Cooke S4 prime lenses to capture footage for "Broad City."

Devon Morehouse (Tobey Maguire) in "Spoils of Babylon."

‘Spoils of Babylon’: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine

January 1, 2014

Cinematographer Giles Dunning collaborated closely with executive producer Matt Piedmont and production designer Mark Snelgrove to create distinct looks for IFC‘s miniseries parody, "The Spoils of Babylon," that nonetheless remain…

Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated "secretprojectrevolution" is elaborately lit and heavily stylized, with a stark set designed by photographer Steven Klein and lit by cinematographer David Devlin.

Madonna and Steven Klein Produce Revolutionary New Short for Art For Freedom | DV Magazine

January 1, 2014

Shot in New York and Buenos Aires using the RED Epic digital cinema camera, Madonna’s long-anticipated "secretprojectrevolution" is elaborately lit and heavily stylized, with a stark set designed by photographer…

Scene from the "Egypt" episode of MTVu’s new MTV World documentary series, "Rebel Music."

Documenting Social Change and Cultural Shifts: Global Production Challenges on MTV World’s ‘Rebel Music’ | DV Magazine

January 1, 2014

for MTVu’s new MTV World documentary series, "Rebel Music," director of photography Mikhail Galustov employs the Canon C300 digital cinema camera for hand-held shooting and low-light situations.

'The Punk Singer,' directed by Sini Anderson.

‘The Punk Singer’: Tracing the Trajectory of Riot Grrrl Kathleen Hanna | DV Magazine

December 1, 2013

With virtually no budget, production of "The Punk Singer" was achieved largely through donations of equipment and expertise. Interviews and b-roll footage were captured using a combination of Panasonic AG…

ASC Harris Savides Student Heritage Award Winners | American Cinematographer

October 1, 2013

The ASC presented Harris Savides Heritage Awards to three student cinematographers from Chapman University’s Dodge College of Film and Media Arts during an awards ceremony at the Clubhouse in June, Ryan Broomberg for…

Innovation Invasion: How ‘The Walking Dead’ Extends Across Audiences and Screens | Video Edge magazine

October 1, 2013

AMC ramps up for season four of 'The Walking Dead' with a three-episode web series and bite-sized servings of second-screen content.

Exitmusic’s “White Noise,” directed by Monica Perez and shot by Cinematographer James Laxton.

Exitmusic’s “White Noise” | American Cinematographer

September 1, 2013

Production of the music video for Brooklyn-based duo Exitmusic's "White Noise," directed by Monica Perez and shot by cinematographer James Laxton.

Live from Outside Lands | Video Edge magazine

August 1, 2013

How Springboard Productions Streamed the San Francisco Music and Arts Festival.

‘Anna Nicole’ Director Mary Harron and the Balance Between Exploration and Exploitation | DV Magazine

August 1, 2013

Lifetime feature Anna Nicole, which aired on the cable channel toward the end of June, attracted as much attention for its director – Canada’s Mary Harron – as it did…

Director Stephanie Martin and cinematographer Robert Richardson on the set of 'Wild Horses.'

Wild Horses | American Cinematographer

August 1, 2013

Insights from cinematographer Robert Richardson, ASC about his work on the short film 'Wild Horses,' directed and co-written by Stephanie Martin as part of the AFI Directing Workshop for Women…

Katy Perry “Roar” Lyric Video | Video Edge magazine

August 1, 2013

Mobile messaging for Katy Perry's "Roar" lyric video.

Neighborhood Watch: Su Friedrich Follows the Evolution (and Devolution) of Brooklyn for ‘Gut Renovation’ | DV Magazine

July 1, 2013

Documentary feature "Gut Renovation," by independent filmmaker Su Friedrich and co-writer Cathy Quinlan, records Williamsburg, New York's transformation from an artists’ refuge to the sleek and moneyed hipster paradise it…

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Don Hall and Chris Williams Talk Disney’s ‘Big Hero 6’ | ANIMATIONWorld

Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine

Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine

Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine

‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine

A Visit to ‘Broad City’ | DV Magazine

‘Spoils of Babylon’: Creating a Rich Visual Vocabulary for the IFC Series | DV Magazine

Madonna and Steven Klein Produce Revolutionary New Short for Art For Freedom | DV Magazine

Documenting Social Change and Cultural Shifts: Global Production Challenges on MTV World’s ‘Rebel Music’ | DV Magazine

‘The Punk Singer’: Tracing the Trajectory of Riot Grrrl Kathleen Hanna | DV Magazine

ASC Harris Savides Student Heritage Award Winners | American Cinematographer

Innovation Invasion: How ‘The Walking Dead’ Extends Across Audiences and Screens | Video Edge magazine

Exitmusic’s “White Noise” | American Cinematographer

Live from Outside Lands | Video Edge magazine

‘Anna Nicole’ Director Mary Harron and the Balance Between Exploration and Exploitation | DV Magazine

Wild Horses | American Cinematographer

Katy Perry “Roar” Lyric Video | Video Edge magazine

Neighborhood Watch: Su Friedrich Follows the Evolution (and Devolution) of Brooklyn for ‘Gut Renovation’ | DV Magazine