Sensors & Sensibility: Achieving the Luminous Glow of Whit Stillman’s ‘Love & Friendship’ | DV Magazine
Adapting Jane Austen’s early novella “Lady Susan,” Whit Stillman directs ‘Love & Friendship’ for Amazon Studios.
FEATURED PROJECTS
These featured projects highlight a diverse range of work stretching across my career, spanning white papers, video interviews, and dozens of articles written for leading trade publications including American Cinematographer, DV Magazine, IndieWire, Variety, and more. Each project showcases my expertise in visual storytelling, creative post production, and digital content strategy, demonstrating my ability to adapt to the needs of different audiences and evolving industry trends.
‘Mapplethorpe: Look at the Pictures’ Follows the Photographer’s Gaze | DV Magazine
Editor Langdon F. Page and co-editor Francy Kachler used Avid Media Composer to assemble 'Mapplethorpe: Look at the Pictures,' the documentary feature from directors Fenton Bailey & Randy Barbato.
The Photoreal World of Disney’s ‘Jungle Book’ Remake | VFXWorld
Sneak preview presentation at Disney’s El Capitan Theater with director Jon Favreau and visual effects supervisor Rob Legato unveils stunning live-action/CG hybrid environments and characters.
2016 Academy VFX Bake-off: 10 Oscar Hopefuls Vie for Nominations | VFXWorld
Annual voting event showcases visual effects for the Academy’s shortlisted films: ‘Ant-Man,’ ‘Avengers: Age of Ultron,’ ‘Ex Machina,’ ‘Jurassic World,’ ‘Mad Max: Fury Road,’ ‘The Martian,’ ‘The Revenant,’ ‘Star Wars:…
‘Tangerine’: Shooting a Cinematic Feature Film with an iPhone | DV Magazine
Shot entirely with the Apple iPhone 5S, Sean Baker’s micro-budget feature 'Tangerine' is a Christmas Eve odyssey through various Los Angeles subcultures.
“12 Angry Men Inside Amy Schumer” | DV Magazine
Shot by series director of photography Jonathan Furmanski, the 22-minute comedic sketch has been heralded as not only a send-up of the types of misogynistic vitriol famous women face, but…
‘Grace and Frankie’: Capturing the Netflix Series: Friends, Family and 4K | DV Magazine
Director of photography Gale Tattersall employed the RED Dragon digital cinema camera to capture footage in 5K for the Netflix series.
Irascible, Irrepressible Iris: Inside the Affectionate Documentary from Albert Maysles | DV Magazine
Beloved documentary filmmaker Albert Maysles passed away in his home in New York on March 5, at the age of 88, prompting an outpouring of mourning and affection from filmmakers…
2015 VFX Bake-off: 10 Spectacular Hopefuls Vie for Nominations | VFXWorld
The Academy’s annual voting event showcases the year’s top visual effects-driven films.
Grande Dames: Documenting Street Style for ‘Advanced Style’ | DV Magazine
Director and cinematographer Lina Plioplyte’s new documentary feature, 'Advanced Style The Movie,' is the story behind the fashion blog of the same name that became an international phenomenon.
Roy Conli Talks Production on Disney’s ‘Big Hero 6’ | ANIMATIONWorld
‘Big Hero 6’ Producer Roy Conli discusses story, production challenges and the boy and his robot at the heart of Walt Disney Animation Studios’ latest feature.
A Chat with Kristina Reed: Creating Winston and Disney’s ‘Feast’ | ANIMATIONWorld
Oscar-winning producer of ‘Feast’ discusses the world’s most adorable Boston terrier, new technologies, and the animated shorts program at Walt Disney Animation Studios.
Don Hall and Chris Williams Talk Disney’s ‘Big Hero 6’ | ANIMATIONWorld
Co-directors of Disney's most technologically advanced film to date discuss production challenges, creating a robot that learns, and Hyperion, the studio's new global-illumination rendering system.
Superhuman Power and Sony F65 Processing: Creating the Spectacular Visuals for ‘Lucy’ | DV Magazine
Award-winning cinematographer Thierry Arbogast selects the Sony CineAlta F65 digital camera to capture Super 35 widescreen footage for sci-fi feature "Lucy."
Castles, Candlelight & Digital Cinematography: The Realities of Producing Fantasy Series ‘Outlander’ | DV Magazine
Cinematographer Neville Kidd shot eight installments of the first 16-episode season using up to three ARRI Alexa Plus High Speed cameras outfitted with Cooke Prime and ARRI/FUJINON Alura Zoom lenses.
Hey, Ladies!: Achieving the Delightful, Dreamy Look on ‘Garfunkel and Oates’ | DV Magazine
Cinematographer Jay Harper taps the ARRI Alexa to capture footage for IFC’s satirical and saucy new series "Garfunkel and Oates."
‘In No Great Hurry’: Documenting the Work and Wisdom of Photographer Saul Leiter | DV Magazine
Tomas Leach's documentary "In No Great Hurry: 13 Lessons In Life With Saul Leiter" is a tender and intimate portrait of the photographer and painter considered to be a pioneer…
A Visit to ‘Broad City’ | DV Magazine
Cinematographer Steve Calitri employed two ARRI Alexa Plus cameras outfitted with Angenieux Optimo zoom and Cooke S4 prime lenses to capture footage for "Broad City."